Friday 24 September 2010

Don't Matter lyrics -Akon

Don't Matter lyrics
Songwriters: Lawson, Anthony; Thiam, Aliaune;Konvict, Konvict, Konvict

Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)
Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)

'Cause we gon' fight
Oh yes, we gon' fight
(We gon' fight)
Believe we gon' fight
(We gon' fight)
Fight for our right to love, yeah
(Right to love, yeah)

Nobody wanna see us together
But it don't matter, no
'Cause I got you

Nobody wanna see us together, nobody thought we'd last forever
I feel I'm hopin' and prayin' things between us gon' get better
Men steady comin' after you, women steady comin' after me
Seems like e'rybody wanna go for self and don't wanna respect boundary

Tellin' you all those lies just to get on your side
But I must admit there was a couple secrets I held inside
But just know that I tried to always apologize
And I'ma have you first always in my heart to keep you satisfied

Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)
Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)

'Cause we gon' fight
Oh yes, we gon' fight
(We gon' fight)
Believe we gon' fight
(We gon' fight)
Fight for our right to love, yeah
(Right to love, yeah)

Nobody wanna see us together
But it don't matter, no
'Cause I got you

Got every right to wanna leave, you got every right to wanna go
You got every right to hit the road and never talk to me no more
You don't even have to call, even check for me at all
Because the way I been actin' lately has been off the wall

Especially towards you, puttin' girls before you
And they watchin' everything I been doin' just to hurt you
Most of it just ain't true and they won't show you
How much of a queen you are to me and why I love you baby

Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)
Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)

'Cause we gon' fight
Oh yes, we gon' fight
(We gon' fight)
Believe we gon' fight
(We gon' fight)
Fight for our right to love, yeah
(Right to love, yeah)

Nobody wanna see us together
But it don't matter, no
'Cause I got you babe

'Cause I got you babe
'Cause I got you babe
'Cause I got you babe
'Cause I got you babe

Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)
Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)

'Cause we gon' fight
Oh yes, we gon' fight
(We gon' fight)
Believe we gon' fight
(We gon' fight)
Fight for our right to love, yeah
(Right to love, yeah)

Nobody wanna see us together
But it don't matter, no
'Cause I got you babe

Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)
Nobody wanna see us together
But it don't matter, no
('Cause I got you babe)

'Cause we gon' fight
Oh yes, we gon' fight
(We gon' fight)
Believe we gon' fight
(We gon' fight)
Fight for our right to love, yeah
(Right to love, yeah)

Nobody wanna see us together
But it don't matter, no
'Cause I got you, babe
'Cause I got you, babe

Cross That Line lyrics -Akons

Cross That Line lyrics

[Akon: talking]
Convict [echo]
Up Front
Yeah..
Convikt Muzik

[Rick Ross talking (Akon)]
Ross.. (ohhh)
Triple C's

[Chorus: Akon]
If you ever cross that line
I guarantee ya there'll be nothin to save ya
I got a whole bunch of gorillas ready to pull the trigga
And we all for that paper
Comin' from a life of crime
Tryna be on my best behavior
You see my rep's gettin' bigger but still that same nigga bustin' shots at them haters
But only if you cross that line
(Hold up, Hold up)

[Verse 1: Rick Ross]
I was birthed in the crackhouse
But what made it worse every first is a packed house
Little brother knowin' life illegal
No toys just playin' wit pipes and needles
I'm gon' find knights and regals
$5000 on the paint just so life will see ya
Green cards for the free lunch
Now his green cards scream larger than seats crush
Big guns for the other side
Nigga try me I'ma teach his momma homicide
I wanna see his momma eyes
I done cried 20 years now I'm runnin' dry

[Chorus: Akon]
If you ever cross that line
I guarantee ya there'll be nothin to save ya
I got a whole bunch of gorillas ready to pull the trigga
And we all for that paper
Comin' from a life of crime
Tryna be on my best behavior
You see my rep's gettin' bigger but still that same nigga bustin' shots at them haters
But only if you cross that line (ohhh)

Don't cross that line
Hopin' that you don't cross that line
Don't cross that line,
Baby don't cross that line

[Verse 2: Rick Ross]
When I'm low on funds, I'ma load up guns
Slap ya in the head I'ma open one
African in bed, she just hope I'm done
See the voodoo priest then the coke gon' come
Open up a drum, I'm eatin' Oprah crumbs
Got poor credit, got xxxxx debit
Walk in the 40-40 I'ma score, bet it
Four tennis chains hoe, I'm progetic
But the 4 pellets will getcha prosthetics
If you don't get it, just don't let it
A life setence is a life sentence
All my homies got 'em, they just like business

[Chorus: Akon]
If you ever cross that line
I guarantee ya there'll be nothin to save ya
I got a whole bunch of gorillas ready to pull the trigga
And we all for that paper
Comin' from a life of crime
Tryna be on my best behavior
You see my rep's gettin' bigger but still that same nigga bustin' shots at them haters
But only if you cross that line (ohhh)

Don't cross that line
Hopin' that you don't cross that line
Don't cross that line,
Baby don't cross that line

[Verse 3: Rick Ross]
Don't push me nigga, I ain't xxxxx nigga
You "would be" killas, that is "could be" nigga
The last minute of your last breath
I'm the last entrance right before your last step
Shot a, Block papa, my block gotta
Cross the line - pay the fine (Ross) Cop dollas
The motto - you're age, creed, or color nigga
Can't cut it stay choppin' through the butter nigga
Critics wonder will I last long
Even though I showed my xxx on my last song
I gets my mash on (Ross), no mask on (Ross), Cross Ross baby it'll be a sad song

[Chorus: Akon]
If you ever cross that line
I guarantee ya there'll be nothin to save ya
I got a whole bunch of gorillas ready to pull the trigga
And we all for that paper
Comin' from a life of crime
Tryna be on my best behavior
You see my rep's gettin' bigger but still that same nigga bustin' shots at them haters
But only if you cross that line (ohhh)

Don't cross that line
Hopin' that you don't cross that line
Don't cross that line,
Baby don't cross that line

Beautiful lyrics -Akons


Beautiful lyrics
Songwriters: Colon, Colby O; Harrow, Jason; Thiam, Aliaune; Wesley, Jaylien;When I see you
I run out of words to say
I wouldn't leave you
'Cause you're that type of girl to make me stay

I see the guys tryna holla, girl I don't wanna bother you
'Cause you're independent and you got my attention
Can I be your baby father? Girl, I just wanna show you
That I love what you are doin' hun

I see you in the club, you gettin' down girl
I wanna get with you, yeah
I see you in the club, you showin' thugs love
I wanna get with you

You're so beautiful
So damn beautiful
Said you're so beautiful
So damn beautiful

You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful

Like the clouds you
Drift me away, far away, yeah
And like the sun you
Brighten the day, you brighten my day, yeah

I never wanna see you cry cry cry
And I never wanna tell a lie lie lie
Said I never wanna see you cry cry cry
And I never wanna tell a lie lie lie

I see you in the club, you gettin' down girl
I wanna get with you, yeah
I see you in the club, you showin' thugs love
I wanna get with you

You're so beautiful
So damn beautiful
Said you're so beautiful
So damn beautiful

You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful

Kardinal told you, whether the sky blue or yellow
This fella ain't that mellow if it ain't about you!
Hourglass shape make a place go 'woo!'
Waistline makes my soldier salute

I'm a brute, high from your high heel game
High heels push up ya ass last name
And you livin' in the fast lane, eyes like an angel
Goddess, watch my gal and how she undress

Spotless, heartless, bad to the bone
Make me wanna go put me in the triple-X zone
Lames don't know how to talk to you
So let me walk with you, hold my hand

I'ma spend them grands but after you undress
Not like a hooker but more like a Princess
Queen, Empress, President
Pull anywhere you go on Earth 'cause you're beautiful, okay?

I see you in the club, you gettin' down girl
I wanna get with you, yeah
I see you in the club, you showin' thugs love
I wanna get with you

You're so beautiful
So damn beautiful
Said you're so beautiful
So damn beautiful

You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful, beautiful
Beautiful, beautiful
You're so beautiful

Where'd you come from? You're outta this world to me
You're a symbol of what every beautiful woman should be, ooh wee

I never wanna see you cry cry cry
And I never wanna tell a lie lie lie
Said I never wanna see you cry cry cry
And I never wanna tell a lie lie lie

I see you in the club, you gettin' down girl
I wanna get with you, yeah
I see you in the club, you showin' thugs love
I wanna get with you

You're so beautiful
So damn beautiful
Said you're so beautiful
So damn beautiful
You're so beautiful

Oh Africa lyrics -Akon


Oh Africa lyrics

"Oh Africa"
(with Keri Hilson)

Oh Africa...

I know that we have to take it to the goal 'cause everyone's depending on we
See we ain't got nowhere to go but up, it's our destiny

We're choosing the way, we'll do what it takes to get to the top of the highest mountain
We'll do anything, we got to prove ourselves 'cause we know

Oh Africa...

See we'll never be able to forget this day 'cause it's the greatest day of our life
See no matter what happens at least we can say "we came, we saw, we tried"

We're choosing nowhere, we'll do what it takes to get to the top of the highest mountain
We'll do anything, we got to prove ourselves 'cause we know

Oh Africa...

This is our time to shine, our time to fly, our time to be inside the sky
Our time to soar, our time to saw, the last one in football

Oh Africa...

Lonely lyrics -Akons

 
Lonely lyrics
Songwriters: Allen, Gene; Vinton, Bobby; Thiam, Aliaune;Lonely
I'm Mr. Lonely
I have nobody
For my own

I'm so lonely
I'm Mr. Lonely
I have nobody
For my own
I'm so lonely

Yo, this one here
Goes out to all my playas out there, man, ya know
That got that one good girl, lord
That's always been there man like
Took all the bull****
And then one day she can't take it no more
And decide to leave

Yeah, I woke up in the middle of the night
And I noticed my girl wasn't by my side
Coulda sworn I was dreamin'
For her I was feenin'
So I had to take a little ride

Backtracking on these few years
Tryna figure out what I do to make it go bad
Cuz ever since my girl left me
My whole life came crashin' an' I'm so

Lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)

I am so lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)
I am so lonely

Can't believe I had a girl like you
And I just let you walk right outta my life
After all I put you through you still
Stuck around and stayed by my side

What really hurt me is I broke your heart, baby
You a good girl and I had no right
I really wanna make things right
Cuz without you in my life girl I'm so

Lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)

I am so lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)
I am so lonely

Been all about the world ain't never met a girl
That can take the things that you been through
Never thought the day would come
Where you'd get up and run
And I would be out chasing you

Cuz ain't nowhere in the globe I'd rather be
Ain't no one in the globe I'd rather see
Than the girl of my dreams that made me be
So happy but now I'm so lonely

Lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own no)

I am so lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)
I am so lonely

Never thought that I'd be alone
(Be alone)
I didn't think you'd be gone this long
(Gone so long)
I just want you to call my phone
So stop playing girl and come on home
(Come on home)

Baby girl I didn't mean to shout
I want me and you to work it out
(Work it out baby)
I never wished that I would hurt my baby
(Hurt my baby)
And it's drivin' me crazy cuz I'm so

Lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own no)

I am so lonely
(So lonely)
I'm Mr. Lonely
(Mr. Lonely)
I have nobody
(I have nobody)
For my own
(To call my own girl)
I am so lonely

So lonely
(Lonely)
So lonely
(So lonely)
Mr. Lonely
(Lonely)

So lonely
(So lonely)
So lonely
(Lonely)

So lonely
(So lonely)
So lonely
Mr. Lonely

Smack That lyrics - Akons


Smack That lyrics
Songwriters: Mathers Iii, Marshall B; Strange Jr., Michael; Resto, Luis Edgardo; Thiam, Aliaune;Shady, Konvict, Upfront
Akon, Slim Shady
I see the one, 'cause she be that lady, hey!

I feel you creeping, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo
Maybe go to my place and just kick it like Tae Bo
And possibly bend you over, look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Upfront style ready to attack now
Pull in the parking lot slow with the ?lac down
Konvict?s got the whole thing packed now
Step in the club, the wardobe intact now

I feel it, don and crack now
Ooh I see it, don't let back now
I'ma call her then I put the mack down
Money? No problem, pocket full of that now

I feel you creeping, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo
Maybe go to my place and just kick it like Tae Bo
And possibly bend you over, look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Oh, looks like another club banger
They better hang on when they throw this thing on
Get a lil? drink on
They gonna flip for this Akon
You can bank on it

Pedicure, manicure, kitty-cat claws
The way she climbs up and down them poles
Looking like one of them putty-cat dolls
Trying to hold my w***** back through my drawers

Steps upstage, didn't think I saw
Creeps up behind me, and she?s like, "You're..."
I'm like, "I know, let's cut to the chase
No time to waste, back to my place"

Plus from the club to the crib it's like a mile away
Or more like a palace, shall I say
And plus I got pal if your gal is game
In fact he's the one singing the song that's playing
Akon!

I feel you creeping, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo
Maybe go to my place and just kick it like Tae Bo
And possibly bend you over, look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Eminem's rollin', D an' ?em rollin'
Boo and ol' Marvelous an' them rollin'
Women just h*****', big booty rollin'
Soon I be all in 'em an' throwin? D

Hittin' no less than three
Block wheel style, like whee
Girl I can tell you want me 'cause lately

I feel you creeping, I can see it from my shadow
Wanna jump up in my Lamborghini Gallardo
Maybe go to my place and just kick it like Tae Bo
And possibly bend you over, look back and watch me

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Smack that, all on the floor
Smack that, give me some more
Smack that, 'til you get sore
Smack that, oh ooh

Thursday 23 September 2010

Best Photographer for Model portfolio In Maharashtra

Best Photographer for Model portfolio In  Maharashtra


Photographs by :Shripad Dagade Photography



Photographs by :Shripad Dagade Photography

Photographs by :Shripad Dagade Photography

Photographs by :Shripad Dagade Photography



Photographs by :Shripad Dagade Photography

Photographs by :Shripad Dagade Photography

Photographs by :Shripad Dagade Photography


Contact :

 Mahishri   
+91 9371113212

Photomeans not a click,who wanna a real quality
The first step to enter modeling industry is to have a professional portfolio done. We believe that behind every successful model there is a good Portfolio and a reliable agency, other than of course model’s hard work and determination. It is essential that you get your portfolio done with great care and preparation because a poorly shot portfolio can damage your entire career as a model even before it actually begins!!  

Hair Care Tips for Men

Hair care is as much required for men as much for women. In fact, men are most susceptible to one of the biggest hair problem of hair loss. It is therefore important for both men and women to take care of their hair and scalp to prevent any future problems.
Use of a good shampoo and conditioner- never go for low quality shampoos and conditioners. A good shampoo and conditioner together works well to cleanse, moisturize and give shine to your hair. Although a hot bubble bath is refreshing, do not wash your hair with hot water. It can dry your hair extremely and make them dull and lifeless.
Never dry your hair with a towel. When you dry wet hair rigorously with a towel, they get entangled in its threads which causes weakening and hair breakage. It is one of the biggest causes of hair damage. Always pat dry gently with a soft towel in the direction of hair growth.
Of course, your hair will take more time to dry but they will not damage. Also, never brush your hair when wet. Wet hair is fragile and therefore more vulnerable to breakage. If you must, comb them gently with your fingers or use a wide toothed comb.
Avoid too much of perming, blow drying or straightening presses on the hair. Too much heat on them can damage the hair from its very roots. If your hair has got damaged somehow, the only way to get rid of damaged hair is to cut them. Even if you are growing your hair, get them trimmed at least every six months and tell your stylist to remove only damaged hair.
It is well said that a healthy mind resides in a healthy body and does healthy skin and hair. In other words, take healthy diet full of green veggies, fresh fruits and dairy products and drink plenty of water and fruit juices. The health of your body will get naturally reflected in your hair.
Moreover, refrain from wearing tight caps or making very tight ponies. It can give rise to the problem of “traction alopecia” or a condition in which the hair gets pulled out of the scalp.

How to Blow Dry Your Hair?

Although all of us are aware of the fact that blow drying, pressing and other techniques that use heat on the hair can damage it, yet we need to blow dry some times.
If you have a head wash and cannot go to office with dripping wet hair or you want those pretty curls for a night out, you have to take recourse to a blow dryer.
However, there are ways which when followed can ensure least hair damage yet at the same time give you the style and shine you intend to get. Below are listed some ways to improve your blow drying technique
Use a moisturizing shampoo rather than your regular one. Its moisturizing effects will not only give you better results but also protect your hair from the heating effects of a blow dryer
Do not towel dry your hair. Just wrap your towel around wet hair and squeeze gently to stop dripping of water from hair. Towel drying will damage your hair and give them frizz and split ends. It is better to work on them when they are a little damp. For very short hair, you can rub your hair with a towel gently in circular motion. You are not required to dry your hair completely before blow drying. Just take care that your hair are not soaked.
Divide your hair into 4 to 5 sections if they are long or medium. If they are short just make two partitions. You can also make use of hair clips for long hair. Take care that your hair are not tangled.
Always take care to blow dry by keeping some distance from the scalp. Maintain this distance throughout the process. It will protect the heat from affecting the scalp. Take care to blow dry always in downward direction and never upwards. Blow drying in the upward direction causes more damage.
Always keep moving the blow dryer around so that the heat does not affect any one particular area. Blow drying concentrated on one particular area for long can burn that area of hair greatly. Leave your hair a bit damp and let it dry naturally. Comb them gently and follow it by using an anti-frizz serum if needed.

Friday 10 September 2010

Modelling portfolios tips

A fashion model portfolio is a collection of a model's best model photographs which are used to get fashion modelling assignments with top modelling clients. Your model portfolio is an essential part of your model look and will reflect that in your model photographs. It's important that you keep updating your portfolio regularly and you will find it one of your most important model tools in your possession.  The following are some modelling portfolio tips to help you build a first rate model book.

The model portfolio has a number of important functions including:


1. Giving the client a chance to see just how you look in a variety of situations.

2. Shows the client that you have experience as an experienced model not an amateur.

3. It demonstrates your ability as a model and shows a client that you are photogenic.


A model portfolio (also called your "model book") should have 12 to 16 photos placed in sheet protectors so your images will be easier for a client to see and use. If you have pictures that need to be viewed horizontally, get them reduced in size so that they will fit vertically in your portfolio case. Use only your best photos in your portfolio. The weakest picture will bring down the impact of a great portfolio. If a picture is weak, leave it out. It will only cast a bad appearance in an otherwise beautiful presentation. To keep your pictures from floating around in their acetate sleeves, use cellophane double-sided tape to keep them in position.

A proper model portfolio case is absolutely essential.  Clients don't want to shuffle through loose photos of all different sizes.  It just doesn't give you that professional edge you are seeking.

Always put your best 3 pictures in the front of your model portfolio and be sure to place them on the right side of the portfolio as you have it opened. Leave the left side free of any photos so you create no distractions for the best three pictures in your model portfolio.  After the first three photos, you can place photos again on both the left and right hand side of the book.  Always place your best photos on the right hand pages.  This is because the viewer's eyes always looks to this side of any book first.

Be sure to leave a strong finish to the conclusion of your model book. Do this by placing one of your best images on the last right hand page, and leaving the left side with no photos to distract.

Always try to use fashion model tearsheets form published work in your model book. It will give you a professional edge in the model market.

Make sure all your pictures are in perfect condition.  If pictures have been bent or damaged, leave them out.

Use a real model portfolio case to hold your pictures and not a standard photo album.  Again you want to give the client a look of professionalism and if the client just finished looking at a professional model portfolio, you don't want to come in the door with a family photo album. It just hurts your chances of being selected for the job.  Most models use a portfolio that is designed for 8x10" photos.  It is probably the best size overall and makes one of the best presentations for the money spent.  Not only that, but a magazine tearsheet is the same basic size as an 8x10" photo.  You will want to include fashion magazine tearsheets in your model portfolio if you have them to give you a professional edge!

The first rule for photographers model portfolios is that all the pictures you present must be professional.  That goes for the image, the quality, the pose, and your overall look.  You can use both black and white prints in your model portfolio. 




You will want to include as many model tearsheets as possible in your model portfolio. Top professional models have portfolios that have nothing but fashion tearsheets throughout the entire book. Tearsheets are a vital point in your model portfolio. A fashion model tearsheet will show a client that you have what it takes to get the job done in a real modelling assignment. Clients don't like to second guess a model and their ability to get the modelling job done when they are paying £150.00 per hour. A magazine tearsheet, on the other hand, will show the client that they don't have to take a chance on someone. It shows the client the model is capable of getting the job done when asked.  Fashion model tearsheets are really very difficult to obtain for your portfolio, and that is why professional models will work for a magazine assignment with little or no pay.  It's the exposure and the magazine tearsheet which is the real compensation to the model. 

In your model portfolio there are certain model photographs you have to have in order to build a successful model look. These shots include: modelling headshots, full length photos, a photograph of the model smiling in the photograph, plus one or two action shots, several different photos with various hair styles, and a really outstanding body shot. These are just the basic types of photos you need to have in your model portfolio to make it a success.  Don't be afraid to model with another model in the picture as long as it is someone of the opposite sex.  If you are male and you model with another male model in your photograph, the client may actually like the other model in your model portfolio better than you and will go to excessive lengths to try and find out who that other model is so they can be booked for the modelling assignment.

You can't build a successful model portfolio overnight either. It takes months to create a powerful fashion model portfolio. It takes a lot of planning as a model to show clients you are serious about a modeling career. What kind of planning? You have to make decisions as to what kinds of photos you need in your portfolio. If you already have a great model headshot, then you need to make plans to get a terrific body shot if you don't already have one. Look in the fashion various magazines for ideas.  
All your shots have to be powerful, too.  If the client doesn't give your model portfolio a second glance, then you haven't hit the mark. You have to stop the client dead in his tracks. You have to get the prospective client looking at your pictures and thinking about you in his next modelling assignment. If you see the wheels in their head start to turn, your portfolio is working for you.

One important note about picture arrangement in your model portfolio. You always want to start off with a powerful image for your model book. You have to make the clients excited about turning the next page to see what they will find next. Even better you want to stop the client from turning pages with superb and captivating model poses. When you can do this, your model portfolio is working for you in top

Book a Photo Shoot Now
mobile 09371113212



Wednesday 23 June 2010

Best Wallpaper,Orkut Scraps Site For Mobile,Desktop

Its Newly Start Best Wallpapers site WWW.MYHEARTBUZZ.COM








Get Free wallpapers its world famous site speacily in India,Here You Get Free Hq Wallpapers for Mobile,Cellphone,Desktop. And Alos You Get Free ecards,greetings,scraps for orkut,pictures,photocollections,wallpapers, Free Computer Dekstop Background , Hot Photos, Fantasy Wallpapers,here you get foolowing thems like_love,romance,sad,sadlove,imissyou,Hotlove,wildlove,sadface,Socialmoto,Moto,Newlymarried,justmarried,Yeshu, yeshu the lord,the Great Lord Yeshu, Jesus, Yeshu Darbar, Jesus Christ,Mi Marathi,Marathi Manus,Jai Maharastra,Jai Bhavani Jai SHivaji, comJanta Raja / Shivaji Maharaj, the Great Maratha, Maratha, Jai SHivaji, Raje, Raje SHivaji, Raje Bhosale, Jai Maharastra,Raje Shivaji, SHivaji Bhosale, Maratha King,Marathi Traditions,Maharastra Tradition,Marathi Culture,Marathi wallpapers,Jai Maharastra,Jai ho,Jai Bhavani,Jai Shivaji,SHivaji The Great,Great Shiva,Great Hindu King Shivaji, Shivaji Maharaj Is One Of the Great King,Shivaji Raje Bhosale,Marathi,Marathi Traditional,Happy Diwali, India,Bollywood Pictures, Bollywood Wallpapers, friendship, Get also Exclusive full screen wallpapers of Indian celebrities, Bollywood Actors and actorsses Hot and Sexy Bollywood Wallpaper,Sexy,Hot,IndianActress, Models,inall Resolution,Indian Wallpapers_Best Wallpapers, Bollywood latest wallpapers, Nature wallpaper, Hollywood celebrities, Indian celebrities wallpapers, Free Bollywood, free hq photographs of nature,modeling,animals,birds, get 1000 of marathi hq wallpapers,photos,kavita, Upcoming Attractions :- Photoshop free brushesh,Web Layout, Web Designs,Visiting Card Free Designs,Free Graphics Designs,Marathi LagnPatrikadesigns, marathi Patrika matter, अजुनही_बोथट_झाली_नाही_धार_शिवबाच्या_तलवारीची_Shivaji_Maharaj_wallpapers_to_your_cell_phone_Download_largest_collection_of_raje_shivaji_free_wallpapers_only_on_www.myheartbuzz.com_itsno#1_wallpaper_site,AlSo You Get free Wallpapers For All Socail Networking Site like orkut,myspace,hi5,Facebook,Wayn,Tagged etc.

Friday 14 May 2010

US names 5 Indian firms doing business with Iran

US names 5 Indian firms doing business with Iran :

NEW DELHI:

The US administration has named India's oil and gas flagship ONGC and Indian Oil Corp (IOC) among the 41 firms worldwide having energy ties with Iran, an act for which it may impose sanctions on them.




The United States Government Accountability Office this week released a report 'Firms Reported to Have Commercial Activity in the Iranian Energy Sector and US Government Contracts' listing companies who have energy ties with Tehran.



"The Iran Sanctions Act (ISA) provides for sanctions against persons, including foreign firms, who invest more than $20 million in Iran's energy sector in any 12-month period," the report said.



Of the 41 firms named in the report, five are Indian. Besides ONGC and IOC, it names ONGC Videsh Ltd - the overseas investment arm of the state-run explorer, Oil India Ltd and Petronet LNG Ltd.



OVL, IOC and OIL explored for oil and gas in Farsi block and proposed investing $5.5 billion in producing gas from the 21.68 trillion cubic feet discovery they made in the offshore block located near the Saudi Arabian border.



Besides, ONGC, OVL, Petronet and Hinduja Group last year signed agreements with Iran to develop one of the 28 phases of the giant South Pars gas field and convert the fuel into LNG for exports at an investment of over $10 billion.



The report, which said the US has not imposed sanctions on any firm for their Iran energy ties since 1998, also names Hinduja for ties with Iran but lists it as a UK firm. When contacted, ONGC Chairman and Managing Director and OVL Chairman RS Sharma declined comments but a senior official said the Indian firms' business in Iran were in full compliance with the Government of India policy.



"Whatever we are doing is fully compliant with the Government of India policy. We have not violated any rule by investing in Iran. In fact, our investment in Iran has not even violated the US law as OVL-IOC-OIL have not invested more than $20 million in any one year in exploring for oil and gas in Farsi block," the official said. The $20 million barrier will be broken only when Iran awards them the contract to develop the field or if the Indians made investment in the South Pars fields.


"As of now, we only have agreements for Farsi and South Pars Phase-12 development and no investment has gone into the ground," he said.



The US and its allies are aggressively pushing for new sanctions on Iran over its nuclear programme. The Obama administration is trying to convince foreign firms that it was becoming too politically risky for them to do business with an increasingly isolated Iran.

Ref :-TimesOf India

Monday 10 May 2010

Pamela Anderson


Pamela Anderson

Born: 1 July 1967


Birthplace: Ladysmith, B.C., Canada

Best known as: Blonde lifeguard C.J. Parker on Baywatch

Pamela Anderson first became a star in the cast of the TV show Baywatch, where she played lifeguard C.J. Parker from 1992-96. She also posed for Playboy magazine, adding to her notoriety and positioning her perfectly for the Internet pinup boom of the mid-1990s. Anderson's wild blonde mane and spectacular store-bought bosom made her one of the Web's most-requested and most-downloaded stars (as well as a dependable punch line for comedians and talk show hosts). Her on-again, off-again marriage to rock star Tommy Lee and later romantic relationship with music star Kid Rock also became favorite topics for tabloids. (She and Kid Rock were engaged in 2002, broke it off in 2003, and then reunited and were married on 29 July 2006.) Anderson's film appearances include Barb Wire (1996) and Scary Movie 3 (2003, with fellow bombshell Jenny McCarthy). She also starred in the short-lived TV series, V.I.P. in the late 1990s and provided the voice for the animated series Stripperella. In 2004 she published Star, a novel which seemed to be closely based on her own Hollywood career, and in 2005 she starred in her own comedy television series, Stacked. Anderson began dating pop singer Kid Rock in 2001, and the two were married for four months in 2006. Anderson married Rick Salomon, a home video entrepreneur and former Paris Hilton boyfriend, on 6 October 2007; that marriage was annulled in March of 2008.

Extra credit: Anderson once played the "Tool Time Girl" on the TV sitcom Home Improvement... In 2002, Anderson announced that she had hepatitis C, saying she had picked up the disease by sharing a tattoo needle with Tommy Lee... She was briefly engaged to actor Scott Baio... She has two sons with Lee: Brandon (b. 1996) and Dyla (b. 1997)... Other stars who got a career boost from Baywatch include Yasmine Bleeth, Carmen Electra, Gena Lee Nolin and Brooke Burns.

Sunday 9 May 2010

Rabindranath Tagore

Rabindranath Tagore
Born: May 7, 1861


Died: August 7, 1941

Achievements: Rabindranath Tagore became the first Asian to became Nobel laureate when he won Nobel Prize for his collection of poems, Gitanjali, in 1913; awarded knighthood by the British King George V; established Viswabharati University; two songs from his Rabindrasangit canon are now the national anthems of India and Bangladesh



Rabindranath Tagore was an icon of Indian culture. He was a poet, philosopher, musician, writer, and educationist. Rabindranath Tagore became the first Asian to became Nobel laureate when he won Nobel Prize for his collection of poems, Gitanjali, in 1913. He was popularly called as Gurudev and his songs were popularly known as Rabindrasangeet. Two songs from his Rabindrasangit canon are now the national anthems of India and Bangladesh: the Jana Gana Mana and the Amar Shonar Bangla.



Rabindranath Tagore was born on May 7, 1861 in a wealthy Brahmin family in Calcutta. He was the ninth son of Debendranath and Sarada Devi. His grandfather Dwarkanath Tagore was a rich landlord and social reformer. Rabindra Nath Tagore had his initial education in Oriental Seminary School. But he did not like the conventional education and started studying at home under several teachers. After undergoing his upanayan (coming-of-age) rite at the age of eleven, Tagore and his father left Calcutta in 1873 to tour India for several months, visiting his father's Santiniketan estate and Amritsar before reaching the Himalayan hill station of Dalhousie. There, Tagore read biographies, studied history, astronomy, modern science, and Sanskrit, and examined the classical poetry of Kalidasa.



In 1874, Tagore's poem Abhilaash (Desire) was published anonymously in a magazine called Tattobodhini. Tagore's mother Sarada Devi expired in 1875. Rabindranath's first book of poems, Kabi Kahini ( tale of a poet ) was published in 1878. In the same year Tagore sailed to England with his elder brother Satyandranath to study law. But he returned to India in 1880 and started his career as poet and writer. In 1883, Rabindranath Tagore married Mrinalini Devi Raichaudhuri, with whom he had two sons and three daughters.



In 1884, Tagore wrote a collection of poems Kori-o-Kamal (Sharp and Flats). He also wrote dramas - Raja-o-Rani ( King and Queen) and Visarjan (Sacrifice). In 1890, Rabindranath Tagore moved to Shilaidaha (now in Bangladesh) to look after the family estate. Between 1893 and 1900 Tagore wrote seven volumes of poetry, which included Sonar Tari (The Golden Boat) and Khanika. In 1901, Rabindranath Tagore became the editor of the magazine Bangadarshan. He Established Bolpur Bramhacharyaashram at Shantiniketan, a school based on the pattern of old Indian Ashrama. In 1902, his wife Mrinalini died. Tagore composed Smaran ( In Memoriam ), a collection of poems, dedicated to his wife.



In 1905, Lord Curzon decided to divide Bengal into two parts. Rabindranath Tagore strongly protested against this decision. Tagore wrote a number of national songs and attended protest meetings. He introduced the Rakhibandhan ceremony , symbolizing the underlying unity of undivided Bengal.



In 1909, Rabindranath Tagore started writing Gitanjali. In 1912, Tagore went to Europe for the second time. On the journey to London he translated some of his poems/songs from Gitanjali to English. He met William Rothenstein, a noted British painter, in London. Rothenstien was impressed by the poems, made copies and gave to Yeats and other English poets. Yeats was enthralled. He later wrote the introduction to Gitanjali when it was published in September 1912 in a limited edition by the India Society in London. Rabindranath Tagore was awarded Nobel Prize for Literature in 1913 for Gitanjali. In 1915 he was knighted by the British King George V.



In 1919, following the Jallianwala Bagh massacre, Tagore renounced his knighthood. He was a supporter of Gandhiji but he stayed out of politics. He was opposed to nationalism and militarism as a matter of principle, and instead promoted spiritual values and the creation of a new world culture founded in multi-culturalism, diversity and tolerance. Unable to gain ideological support to his views, he retired into relative solitude. Between the years 1916 and 1934 he traveled widely.



1n 1921, Rabindranath Tagore established Viswabharati University. He gave all his money from Nobel Prize and royalty money from his books to this University. Tagore was not only a creative genius, he was quite knowledgeable of Western culture, especially Western poetry and science too. Tagore had a good grasp of modern - post-Newtonian - physics, and was well able to hold his own in a debate with Einstein in 1930 on the newly emerging principles of quantum mechanics and chaos. His meetings and tape recorded conversations with his contemporaries such Albert Einstein and H.G. Wells, epitomize his brilliance.



In 1940 Oxford University arranged a special ceremony in Santiniketan and awarded Rabindranath Tagore with Doctorate Of Literature. Gurudev Rabindranath Tagore passed away on August 7, 1941 in his ancestral home in Calcutta.

Gopal Krishna Gokhale Biography

Gopal Krishna Gokhale Biography

Born: May 9, 1866

Died: February 19, 1915

Achievements: Political guru of Mahatma Gandhi; one of the pioneers of the Indian national movement; founder of the Servants of India Society.



Gopal Krishna Gokhale was one of the pioneers of the Indian national movement. He was a senior leader of the Indian National Congress. Gokhale gave voice to the aspirations of millions of Indians who were looking for freedom from the British rule. Gandhiji considered him as his political guru. Apart from being a political leader, Gopalkrishna Gokhale, was also a social reformer. He founded the "Servants of India Society"-an organization dedicated to the cause of common people. Gopal Krishna Gokhale's contribution to the making of Indian nation is invaluable.



Gopal Krishna Gokhale was born on May 9, 1866 in Kothapur, Maharashtra. His father Krishna Rao was a farmer who was forced to work as clerk, as the soil of the region was not conducive for agriculture. His mother Valubai was a simple woman. Gokhale received his early education at the Rajaram High School in Kothapur with the help of financial assistance from his elder brother. Later on he moved on to Bombay and graduated from Elphinstone College, Bombay in 1884 at the age of 18.



Gopal Krishna Gokhale was one of the first generations of Indians to receive college education. He was respected widely in the nascent Indian intellectual community and across India. Education influenced Gokhale greatly. His understanding of the English language allowed him to express himself without hesitation and with utmost clarity. His appreciation and knowledge of history instilled in him a respect for liberty, democracy, and the parliamentary system. After graduation, he moved on to teaching, and took a position as an Assistant Master in the New English School in Pune. In 1885, Gokhale moved on to Pune and became one of the founding members of Fergusson College, along with his colleagues in Deccan Education Society. Gopal Krishna Gokhale gave nearly two decades of his life to Fergusson College and rose to become principal of the college. During this time, Gokhale came in contact with Mahadev Govind Ranade. Ranade was a judge, scholar, and social reformer, whom Gokhale called his guru. Gokhale worked with Ranade in Poona Sarvajanik Sabha of which Gokhale became the Secretary.



Gopal Krishna Gokhale entered public life in 1886 at the age of 20. He delivered a public address on "India under the British Rule", which was highly appreciated. Gokhale regularly contributed articles to Bal Gangadhar Tilak's weekly "Mahratta". Through his articles he tried to awaken the latent patriotism of Indian people. Soon, Gokhale was promoted as Secretary of the Deccan Education Society. When the Indian National Congress held its session in Poona in 1895, he was the secretary of the Reception Committee. From this session, Gokhale became a prominent member of the Indian National Congress. Gokhale was twice elected as president of Pune Municipality. For a while Gokhale was also a member of the Bombay Legislative Council where he spoke strongly against the then Government.



In 1902, Gokhale left the Fergusson College. He became a Member of the Imperial Legislative Council in Delhi. There he spoke for the people of the country in an able manner. Gokhale had an excellent grasp of the economic problems of our country which he ably presented during the debates. In 1905, Gokhale started a new society called "Servants of India Society". This society trained workers for the service of the country. In the same year, Gokhale went to England to voice his concerns relating to the unfair treatment of the Indian people by the British government. In a span of 49 days, he spoke in front of 47 different audiences, captivating every one of them. Gokhale pleaded for gradual reforms to ultimately attain Swaraj, or self-government, in India. He was instrumental in the introduction of the Morley- Minto Reforms of 1909, which eventually became law. Though the reforms sowed the seeds of communal division in India, nevertheless, they gave Indian access to the seats of the highest authority within the government, and their voices were more audible in matters of public interest.



Gopal Krishna Gokhale was a diabetic and asthmatic. Excessive assertion took its toll on Gokhale's health and ultimately he died on February 19, 1915.






Wednesday 5 May 2010

Arundhati Roy

Arundhati Roy

Born: November 24, 1961


Achievement: Won the Booker Prize in 1997 for her first novel "The God of Small Things"; Awarded Sydney Peace Prize in 2004.



Arundhati Roy is a famous Indian novelist and social activist. Arundhati Roy came into limelight in 1997 when she won the Booker Prize for her first novel "The God of Small Things". She was awarded Sydney Peace Prize in 2004.



Arundhati Roy was born November 24, 1961 in Assam. Her mother was a Keralite Christian and her father was a Bengali Hindu. Their marriage was not successful and Arundhati Roy spent her childhood years in Aymanam, Kerala with her mother. Arundhati's mother, who was a prominent social activist, founded an independent school and taught her daughter informally.



At age of sixteen Arundhati left home, and eventually enrolled at the Delhi School of Architecture. There she met her first husband, Gerard Da Cunha, a fellow architecture student. Their marriage lasted four years. Both of them did not have great love for architecture, so they quit their profession and went off to Goa. They used to make cake and sell it on the beach to make living. This continued for seven months after which Arundhati returned back to Delhi.



She took a job at the National Institute of Urban Affairs, rented a barsati near the dargah at Nizamuddin and hired a bicycle. One day film director Pradeep Krishen saw her cycling down a street and offered her a small role of tribal girl in the film "Massey Saab". Arundhati Roy accepted the role after initial reservations. She later on married Pradeep Krishen. Meanwhile, Arundhati got a scholarship to go to Italy for eight months to study the restoration of monuments.



After returning from Italy Arundhati Roy linked with her husband to planned a 26 episode television serial for Doordarshan called the Banyan Tree. The serial was later scrapped. She wrote screenplays for a couple of TV films - "In Which Annie Gives It Those Ones" and "Electric Moon". Arundhati Roy also wrote screenplay for Shekhar Kapur's controversial film 'Bandit Queen'. The controversy escalated into a court case, after which Arundhati Roy retired to private life to concentrate on her writing, which eventually resulted in "The God of Small Things".



After winning the Booker Prize for "The God of Small Things", Arundhati Roy has concentrated her writings on political issues. She has written on varied topics such as Narmada Dam project, India's nuclear weapons and American power giant Enron's activities in India. Arundhati Roy strongly associated with anti-globalization movement and is a staunch critic of neo-imperialism.

Tuesday 4 May 2010

Mexico, Germany urges action on climate change



- By Verena Schmitt-Roschmann (Associated Press)

With the fight against global warming in serious trouble, Germany and Mexico are calling on world leaders to get international negotiations back on track and reach concrete results by the end of the year.



“We need to show the world how serious the threat is,” Mexican President Felipe Calderon said as he opened an international climate change conference in Germany on Sunday.

German Chancellor Angela Merkel, who also spoke at the opening of the conference co-hosted by both countries and aimed at laying the groundwork for the next U.N. conference on climate change, asked nations around the world for more ambition in their efforts to cut greenhouse gases.

While scientists believe global temperatures must not rise by more than 2 degrees Celsius (3.6 degrees Fahrenheit) compared to pre-industrial times, the world is now headed for a 3 to 4 degree increase, Merkel said.

“We have to realize that we have quite a long way to go to reach the 2-degree-goal,” Merkel said. “Therefore we have to ascertain how we can reach our goals nonetheless.”Mexico will host the next U.N. conference on climate change in Cancun in December, the first such high-level summit after the troubled U.N. conference in Copenhagen five months ago.

Germany has long presented itself as a driving force in the international efforts to curb global warming and came up with the idea of a “mid-term” meeting.

Both countries invited ministers and representatives from around 45 countries for informal talks on the Petersberg up above Koenigswinter.

The three-day conference called the Petersberg Dialogue hopes to make some progress on details, but most of all build trust between poor and rich nations, Calderon said.

He said the conference could produce a “clear message, this will be the signal whether it will be possible to reach a uniform agreement.”

Nations around the world agreed in 2007 to negotiate a new international treaty to fight global warming which scientists say has already started to cause some alarming changes such as droughts, flooding or heavier storms.

A treaty was originally hoped for in Copenhagen, but that meeting produced less than expected.

President Barack Obama and a few dozen other major players drafted the so-called Copenhagen Accord, which includes the 2-degree-goal and an immediate $30 billion three-year aid package for poorer nations.

However, the accord failed to gain full support at the summit, as some smaller countries felt left out in the process and were unhappy with the results of closed-door negotiations.

German Environment Minister Norbert Roettgen said the Petersberg meeting is designed to work intensely on some sticking points and to build trust among those who eventually have to work with each other on the U.N. level.

To have something to show for even while the negotiating is going on, nations should agree on concrete projects to curb greenhouse gas emissions or to adapt to climate change, he said.

Calderon and Merkel said one of the areas that could see some progress in Cancun was the fight against deforestation.

Mexico’s president stressed that saving forests could help fight poverty at the same time as it would give residents an income.

Since Copenhagen, momentum in the drive to control global warming has slowed in some countries. The U.S. has not tackled its domestic energy bill; and Australia — one of the world’s biggest per capita polluters — put off for as long as two years legislation setting up carbon trading.


Roettgen has said his country and others have not given up on striking a deal at the U.N. climate summit in Cancun Nov. 29-Dec. 10.

Monday 3 May 2010

First love



Theoretically first love can happen in any age or not happen at all. But most people had fallen in love for the first time when they were teenagers. That exciting new experience most of us remember very well during all our life. For an adult his/her own high school problems and the problems of their children seem very funny, silly and simple especially compared with all the difficulties of adult life. Somehow we forget how tragic and full of drama life and relationships were than in our adolescence.




Than a teenager falls in love and it happens for the first time he/she feels all it’s ups and downs for the first time either. In that age we mostly enjoy ourselves and study the new emotions inside than show much interest for the inner world of our first boy/girlfriend.



Once we start to show interest to the persons of the other sex and a little later instinctively choose our first love. The relationships between two sexes will interest and trouble us during all our future life but these first steps are always the most difficult and for some of us turn to be very painful. Teenager has a growing and changing body that he/she hasn’t started to understand yet and a delicate soul which is so easy to hurt.



Adults very often don’t take this first affection for serious, they may laugh at it, preach, tell their children that they are too young to really feel anything, that his or her object isn’t a good pair for him or her, they may try obey them stop seeing their boy/girlfriend. This is all very wrong. No one can stop anybody from falling in love especially when it’s so beckoning with the novelty. Wise adults can only try to support their young comrade to pass this complicated with the least wounds and hurt. The feelings of adolescents are as changeable as their mood. So the first love usually goes very soon after it comes. The mission of people around is to show that it’s not the end of world and that a teenager is not alone, that there still stay people who love him/her and in their love he/her can’t be sure. The first love is only the first lesson to learn but it like Alphabet stays in the basic of the whole future relationships of a human.



Very often we cherish these memories a lot, sometimes idealise them, remember the first love as something very innocent and fragile. If something went wrong than some people may have some problems with starting new relationships, they may even achieve come serious complexes that will be spoiling their relationships all the time.



But there’s no such low that tells we all fall in love for the first time in our adolescence if not with our coevals, than with our favourite teaches, famous actors and pop-stars. Yes, teenagers searching an ideal love object in the real life and not finding it there can turn to TV-screen heroes, or persons who are elder and seem wiser and more experienced when the people of the same with them age. Of cause most adults don’t take these kid’s falling for them too serious. It passes as does the hysterical passion for the pop-stars. But still some people don’t fall in love at this age of first love at all, they have some boy/girlfriends in order not to differ from others, to satisfy curiosity and a booty call, they may really like the coevals they have relationships with, but still it nothing serious. For those people their first love may come later, and the feeling will be the same new and surprising for them as for the teenagers. But Bernard Show said that if you haven’t fallen in love till you’re forty you already shouldn’t do it after.

Saturday 1 May 2010

Shivaji Raje Bhonsle



Shivaji Bhonsle, venerated in Maharashtra as the father of “the Maratha nation”, was born in 1627 into a family of Maratha bureaucrats. His father, Shahji, was the jagirdar of the Sultan of Ahmadnagar in Pune, but he shifted his allegiance to the Sultan of Bijapur; Shivaji’s mother, Jiji Bai, was devoted to her son, particularly after her husband took a second wife. This was not the only time that Shahji shifted his loyalties: when the Mughal emperor Shah Jahan decided to lead his forces into the Deccan, Shahji decided to accept the offer of a mansabdari from Shah Jahan. However, upon the emperor’s retreat in 1632, Shahji decided to accept once again the suzerainty of the Sultan of Ahmadnagar. However, the Sultan of Ahmadnagar was taken captive by the Mughal army in 1633, and though Shahji struggled valiantly to retain his political independence, he succumbed to the combined forces of the Mughal Emperor and the Sultan of Bijapur who had signed an accord between themselves in 1636. Shahji surrendered, was expelled from Pune, and retreated to Bijapur.




Shivaji, though his father was exiled from Pune, was raised in the city that was to become the capital not only of Maratha power, but the seat, as it were, of real and imagined Hindu martial traditions. (Much later, it is in Pune that armed resistance to the British led to a campaign of terror and assassination, and it is from Pune that Nathuram Godse, the assassin of Mahatma Gandhi, emerged to press forth the case for a masculine Indian nation-state.) Some historians have argued that Shivaji grew up with a hatred for Islam, but there is little in the historical record that directly substantiates any such reading. For a good many years, Shivaji and his band of Marathas, who can with some justice be claimed as having originated the idea of guerrilla warfare in India, plundered the countryside, and Shivaji came to acquire a formidable reputation as a warrior. But Shivaji’s main interest lay in subduing Bijapur, and the opportunity presented itself when the Sultan, Muhammad Adil Shah, died in November 1656. Muhammad Adil Shah’s successor, Ali Adil Shah, sent his general, Afzal Khan, at the head of an army of 10,000 troops to surround and subdue Shivaji in his fortress, Pratapgarh.



The most celebrated act of Shivaji’s life, if historians are to be believed, is his killing of Afzal Khan in 1659. According to the most commonly accepted narrative of events, Afzal Khan agreed to meet Shivaji in person to accept his surrender. It is suggested that Afzal Khan had treacherous designs upon Shivaji, but evidently he received a fatal dose of his own medicine before he could murder Shivaji. The Maratha leader carried a small dagger in one hand, and a tiger’s claw in the other, but these little weapons were concealed by the long sleeves of the loose-fitting clothes he wore. As the two men hugged each other, Afzal Khan nearly stuck a dagger at Shivaji’s side, but the Maratha passed his arm around the Khan’s waist and, to quote from the admiring biography by the Bengali historian Jadunath Sarkar, “tore his bowels open with a blow of steel claws”. It is a chilling fact that this episode, in which neither Afzal Khan nor Shivaji appear to have shown much honor, should have been described, amidst the euphoria of the celebrations in 1974-75 to mark the 300th anniversary of the coronation of Shivaji, as the “most glorious event in the history of the Marathas.” (See R. V. Herwadkar, “Historicity of Shivaji-Afzal Khan Confrontation”, in B. K. Apte, ed., Chhatrapati Shivaji: Coronation Tercentenary Commemmoration Volume (Bombay: University of Bombay, 1974-75.)



As is purported to be quite common with ‘Oriental armies’, Afzal Khan’s entire force is described as having become panic-stricken at the death of their commander, and Shivaji was left victorious. His triumph over Afzal Khan is often said to mark the birth of Maratha power. In 1664, Shivaji dared even to plunder Surat, a trading town with rich mercantile traditions and immensely wealthy merchants, but this invoked the fury of Aurangzeb, who sent his general Jai Singh to deal with this irritant. The Mughal commander Jai Singh used a variety of diplomatic and military measures to ease the path to his victory. It is said that Shivaji was visited in his dreams by the goddess Bhavani, who reportedly advised him that he could not triumph if he raised his hand against another Hindu prince, but this reading may be no more than an attempt to assuage the pride of the admirers of Shivaji bothered by Shivaji’s capitulation to Aurangzeb. Though Shivaji himself was incorporated into the Mughal system, becoming in John Richards’ words a “vassal” of the Emperor, it was his son, Shambhaji, who was rendered into a mansabdar of 5,000. Shivaji’ hagiographers at this point pause to reflect on their hero’s daring escape from the court of Aurangzeb in 1666. Though Shivaji had, by 1670, recaptured many of the fortresses he had previously surrendered to Aurangzeb, the hagiographers do not always mention the fact that he continued to petition the Mughal emperor to be entitled a “Raja”. This petition was granted in 1668.



Shivaji’s coronation in 1674 as Chhatrapati, or “Lord of the Universe”, constitutes the next pivotal chapter in his biography. It was in part to mark his independence from the Mughals, and to repudiate his formal relation to them of a feudatory, that Shivaji had himself crowned, but the very gesture of defiance points to the fact that he recognized the overwhelming power of the Mughals. Moreover, as a Shudra or low-caste person, Shivaji had perforce to enact some ceremony by means of which he could be raised to the status of a kshatriya or traditional ruler. To this end, he enlisted the services of Gagga Bhatta, a famous Brahmin from Benares, who did the Brahminical thing in falsely certifying that Shivaji’s ancestors were kshatriyas descended from the solar dynasty of Mewar. 11,000 Brahmins are reported to have chanted the Vedas, and another 50,000 men are said to have been present at the investiture ceremony, which concluded with chants of, “Shivaji Maharaj-ki-jai!”



The greater majority of the historians of previous generations and other scholars who have written on Shivaji have supposed that his battles with Aurangzeb, as well as his coronation, cannot be read as other than clear signs of his unrelenting hatred for Muslims and his desire to be considered a great Hindu monarch. But it is not at all transparent, as some recent work suggests, that his conflicts with Aurangzeb should be read through the lens of a communalist-minded history, where all conflicts are construed as the inevitable battle between Islam and Hinduism. It is precisely to thwart the communalist interpretations of Shivaji that Nehru made the pointed remark, in his Discovery of India, that “Shivaji, though he fought Aurangzeb, freely employed Muslims” (p. 272). The first Pathan unit joined Shivaji’s forces in 1658, and one of his trusted commanders who was present at Shivaji’s encounter with Afzal Khan was a Muslim, Didi Ibrahim. There is nothing to suggest that the animosity between the Shia rulers of Bijapur and the Sunni Mughal Emperors was of a different order than the conflict between the Hindu Shivaji and Aurangzeb, who were locked in battle over political power and economic resources. It is also a telling fact that, after the coronation, Shivaji struck a military alliance with the Muslim leader Abul Hasan, the Qutb Shah Sultan, and together they waged a campaign against Shivaji’s own half-brother, Vyankoji Bhonsle. Shivaji died in 1680.

Shivaji and the Politics of History :

In recent years, with the advent to power of the Bharatiya Janata Party in national politics, and of the Shiv Sena in Maharashtra, the stock of Shivaji Bhonsle (1627-1680), the Maratha leader, has once again risen high. One hundred years ago, the Indian nationalist Bal Gangadhar Tilak succeeded to a considerable extent in reviving the political memory of Shivaji, and early nationalists, in search of martial heroes, raised him to the eminence of a “freedom fighter”. Tilak’s contemporary, the Indian nationalist Lala Lajpat Rai, nicknamed the “Lion of the Punjab”, published a biography of Shivaji in Urdu (1896), and commended him to the attention of the youth with the observation that “Shivaji protected his own religion, saved the cow and the Brahmin but he did not disrespect any other religion. This is the highest praise that can be bestowed on a Hindu hero like Shivaji in the days of Aurangzeb.”




Shivaji has assumed over the course of the last few years an extraordinary importance in the debates over the Indian past. To visit Maharashtra, particularly Pune, is to come to the awareness that a great many public institutions and buildings have been named after him. Victoria Terminus in Bombay, one of the preeminent landmarks of European colonialism in what was Britain’s foremost colony, is now Chhatrapati Shivaji Terminus, and one would imagine that Maharashtra, home to great saints, writers, and such nationalist leaders as the scholar Gopal Krishna Gokhale, was bereft of any other commanding personality. Even in Delhi the gigantic Interstate Bus Terminal (ISBT), which services the needs of millions of people every year, has recently been renamed the Chhatrapati Shivaji Bus Terminal. It is presumed that Shivaji was one of the earliest exponents of the idea of a Hindu nation, who kept the torch of Hindu resistance alive during the days of Muslim rule (generally characterized as ‘Muslim tyranny’). Lala Lajpat Rai, whom we have quoted previously, took the view that Shivaji’s life demonstrated that “during any [sic] time in Muslim rule Hindus did not lose any opportunity to show their valour and attain freedom nor did they quietly suffer oppression.” So long as Indian nationalists persisted in portraying Shivaji as a Hindu leader who withstood Aurangzeb’s military campaigns and religious fanaticism, they were given no hindrance by the British; but when Tilak invoked Shivaji’s name and courage to rouse Indians to resistance against British rule, he was convicted of sedition. The emergence of Gandhi, and the adoption by the Indian National Congress of non-violence as its official policy, did little to erode the popularity in which Shivaji was held. His name was kept alive by armed revolutionaries and by a nation, stung by charges that it was effete and incapable of offering resistance, eager to flaunt a martial past; and the emergence of communalism in the 1920s, leading eventually to demands for the creation of a Muslim state, again made it possible to urge resistance to Muslim demands in the name of Shivaji.



With the creation in 1960 of the new state of Maharashtra, carved out of the old Bombay Presidency, Shivaji became canonized as the creator of the Marathi nation, and the celebration in 1974 of the 300th anniversary of his coronation was to furnish ripe opportunities for consolidating the view that he was even a ‘national’ leader. To take any other view was to invite retribution, as one Marathi historian at Marathwada University found out in 1974 when he was dismissed from his position for disputing the hagiographic view of Shivaji. One volume of contributions, mainly by historians, was entitled Chhatrapati Shivaji: Architect of Freedom (1975). Its editor states that Shivaji “laid the foundation of a nation-state, the state of the Marathas, on a firm, secular basis.” But what is this nation-state of the Marathas, and of what “freedom” was Shivaji the architect? Doubtless, the Marathas were the dominant power in the Deccan for much of the eighteenth century, but the argument for Maratha sovereignty, and a Maratha nation-state, cannot so easily be sustained. Shivaji’s successors, taking advantage of the weakness of the later Mughals, would play more the role of plunderers and marauders than kings while still acting as the tax-collectors for the Mughal emperors; by the second half of the eighteenth century, they were also contending with the military strength of the East India Company’s forces, though they were nonetheless able to capture Delhi and Agra, the nerve centers of the Mughal empire, in 1770-71.



Similarly, it is only possible to characterize Shivaji as the “architect of freedom” on the presumption that Hindus were laboring under severe disadvantages and were suffocated by Muslim tyranny before Shivaji freed them from their woes. One historian, taking this view, put the matter rather dramatically in another volume commemorating the tercentenary of Shivaji’s coronation when he described Shivaji as having liberated the Marathas from three centuries of “alien rule” which had “turned the natives fatalistic”: “It was Shivaji who emancipated them from this terrific mental torpidity. He created in them self-confidence . . . He gave them back their dearly loved religious freedom.” Yet this assessment appears almost moderate, when we consider R. C. Majumdar’s opinion that in the whole history of India, there was no Hindu other than Shivaji “who made such a pious resolve in his mind to save his country and religion from foreign yoke and oppression.” Dismissing with utter contempt the position of “modern Hindu politicians and pseudo-historians” [a reference to Nehru among others] who insist on “a complete assimilation between the Hindus and Muslims after the first fury of intolerance and oppression was over”, Majumdar remarked: “But Shivaji was in any case free from such ideas. He looked upon the Muslims as oppressive rulers and the Hindus as long-suffering subject peoples.”



To substantiate the Hindu communalist reading of Shivaji as the architect of Hindu freedom requires that Hindu-Muslim conflict be seen as the backdrop of his own times, just as it turns him into an inveterate foe of Muslims. Yet Shivaji employed Muslims in his army, among them 700 Pathans who had once worked for the Bijapur Sultan, and he forged alliances with Muslim rulers, in one case to wage a campaign against his own half-brother. It is not at all clear why the conflict between Shivaji and Aurangzeb should necessarily be viewed as a Hindu-Muslim conflict, rather than as a contest over power, resources, and sovereignty. Moreover, there is little documentary evidence to warrant the conclusion that Hindus in the Deccan were being systematically persecuted before Shivaji arrived to free them from their yoke. Indeed, quite to the contrary, at least some of the evidence points to the fact that many Muslim dynasties in the south (mainly Shiite) retained a catholic attitude towards Hinduism. Few historians in the 1970s, as communalism was becoming an important force in the writing of Indian history, were prepared to reflect on how far it is possible to infer from Shivaji’s encounters with Afzal Khan and Aurangzeb that people belonging to various social strata similarly felt their lives to be bounded by oppositional religious feelings. Yet, just as Aurangzeb and Akbar had become symbolic figures in the emerging dispute between secularists and communalists, so Shivaji was to become an iconic figure in the struggle to define the ‘authentic’ history of India.



With the rise to power of the Bharatiya Janata Party at the national level, and earlier of the Shiv Sena in Maharashtra, the quest for a martial Hindu past has received a new impetus, and since the conflict has moved to the domain of history as well, it seems certain that Shivaji will continue to be viewed not merely as a chieftain and even Maratha leader, which he doubtless was, but – altogether erroneously – as the supreme figure in the “Hindu struggle for freedom” from Muslim tyranny and as the inspirational figure for Indian independence. Shivaji’s acolytes, in recent years, have embraced tactics of intimidation and terror that certainly do no credit to Shivaji himself. The scholar James Laine, author of Shivaji: Hindu King in Islamic India (New York, New York: Oxford University Press, 2003), was placed under a death sentence for the expression of views considered detrimental to Shivaji, and Oxford University Press was compelled to withdraw the book from sale in India. One of Professor Laine’s local informants, a scholar at the venerable Bhandarkar Oriental Research Institute (BORI), was publicly humiliated by hoodlums claiming to act in the name of venerating Shivaji’s memory, and the institute itself was sacked. Any intellectual history of how Shivaji’s name survives in India will thus have to contend not only with such obvious phenomena as the rise of the Shiv Sena, but also the strategies deployed to silence those who question the received versions of the history of Shivaji.




Get Free wallpapers of Shivaji Raje  Click here

Shivaji Maharaj

The Mughal Empire



The great grandson of Tamerlane, Babar, who on his mother's side was descended from the famous Genghiz Khan, came to India in 1526 at the request of an Indian governor who sought Babar's help in his fight against Ibrahim Lodi, the last head of the Delhi Sultanate. Babar defeated Lodi at Panipat, not far from Delhi, and so came to establish the Mughal Empire in India. Babar ruled until 1530, and was succeeded by his son Humayun, who gave the empire its first distinctive features. But it is Humayun's son, Akbar the Great, who is conventionally described as the glory of the empire. Akbar reigned from 1556 to 1605, and extended his empire as far to the west as Afghanistan, and as far south as the Godavari river. Akbar, though a Muslim, is remembered as a tolerant ruler, and he even started a new faith, Din-i-Ilahi, which was an attempt to blend Islam with Hinduism, Christianity, Jainism, and other faiths. He won over the Hindus by naming them to important military and civil positions, by conferring honors upon them, and by marrying a Hindu princess.



Akbar was succeeded by his son Salim, who took the title of Jahangir. In his reign (1605-1627), Jahangir consolidated the gains made by his father. The courtly culture of the Mughals flourished under his rule; like his great grand-father, Babar, he had an interest in gardens, and Mughal painting probably reached its zenith in Jahangir's time. Jahangir married Nur Jahan, "Light of the World", in 1611. Shortly after his death in October 1627, his son, Shah Jahan, succeeded to the throne. He inherited a vast and rich empire; and at mid-century this was perhaps the greatest empire in the world, exhibiting a degree of centralized control rarely matched before. Shah Jahan left behind an extraordinarily rich architectural legacy, which includes the Taj Mahal and the old city of Delhi, Shahjahanabad. As he apparently lay dying in 1658, a war of succession broke out between his four sons. The two principal claimants to the throne were Dara Shikoh, who was championed by the those nobles and officers who were committed to the eclectic policies of previous rulers, and Aurangzeb, who was favored by powerful men more inclined to turn the Mughal Empire into an Islamic state subject to the laws of the Sharia. It is Aurangzeb who triumphed, and though the Mughal Empire saw yet further expansion in the early years of his long reign (1658-1707), by the later part of the seventeenth century the empire was beginning to disintegrate.



Aurangzeb remains a highly controversial figure, and no monarch has been more subjected to the communalist reading of Indian history. He is admired by Muslim historians for enforcing the law of the Sharia and for disavowing the policies pursued by Akbar; among Hindus, laymen and historians alike, he is remembered as a Muslim fanatic and bigot. In the event, Aurangzeb's far-flung empire eventually eluded his grasp, and considerable disaffection appears to have been created among the peasantry. After Aurangzeb's death in 1707, many of his vassals established themselves as sovereign rulers, and so began the period of what are called "successor states". The Mughal Empire survived until 1857, but its rulers were, after 1803, pensioners of the East India Company. The last emperor, the senile Bahadur Shah Zafar, was put on trial for allegedly leading the rebels of the 1857 mutiny and for fomenting sedition. He was convicted and transported to Rangoon, to spend the remainder of his life on alien soil.