Akon » Don't Matter (Remix) Lyrics

Akon » Don't Matter (Remix) Lyrics

[Verse 1:]

Nobody Wanna See Us Together

Noone Knows We Would Be Forever

Bitch Through The Rain And The Weather

You Should Know I Would Leave You Never

But Your Friends Got So Much To Say

That It Would Just Throw Your Heart Away

And I Would Just Leave You Anyday

Think I Would Just Do That, No Way!

Baby All I Need Is Your Trust

Stop The Fighting And Fuss

If You Wanna Talk We Can Discuss

The Only Thing That Matters Is Us

Makin In Through We Gonna Fight

Standin By You Feels So Right

Through All I'm Holding You Tight

Layin By You In The Moonlight

[Chorus:]

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Yes We Gon' Fight

Oh Yes We Gon' Fight (We Gon Fight)

Believe We Gon' Fight (We Gon Fight)

Fight For Our Right To Love Yeah (Right Girl)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You)

[Verse 2:]

I Can Hear Talk Behind My Back Saying Things

Like They Aint In Love They Just Playin Games

But If They Knew What We've Been Through

They'd Know The Truth That I Got You

Some Say That He's Just A Playa

You Barely Knew Now, Well You'll Know Later

They Dont Know How I Feel For Yaa

They Can Talk And Talk But It Dont Matter

They're My Past And Your My Future

We'll Crash The Past, And We'll Keep Moving

I See Love More Lust Than Lousier

Its Just Us Two, We Dont Need A Whole Team

No Body, Nobody Beleives That Me And You Can B-O-B

We Got Love Now, Aint Thirsty For Crush But It Dont Matter

Let Me Talk About Us.

[Chorus:]

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Yes We Gon' Fight

Oh Yes We Gon' Fight (We Gon Fight)

Believe We Gon' Fight (We Gon Fight)

Fight For Our Right To Love Yeah (Right Girl)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You)

[Verse 3:]

You Got Every Right To Wanna Leave

You Got Every Right To Wanna Go

You Got Every Right To Hit The Road

And Never Talk To Me No More

You Dont Even Have To Call

Dont Even Check For Me At All

Cuz The Way I've Been Acting Lately

I've Been Off The Wall

Especially Towards You

Putting Girls Before You

And They Wacthing Everythin I Been Doin

Just To Hurt You

Most Of It Just Aint True

And They Wont Show You

How Much Of A Friend You Are To Me

And How I Love You, Baby

[Chorus: X2]

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You Babe)

Yes We Gon' Fight

Oh Yes We Gon' Fight (We Gon Fight)

Believe We Gon' Fight (We Gon Fight)

Fight For Our Right To Love Yeah (Right Girl)

Nobody Wanna See Us Together

But It Dont Matter No (Cuz I Got You)

Oh Uh Oh Uh Oh Oh Oh Oh Oh

(Cuz I Got You)

The Ajmer Bomb Blast

The Ajmer Bomb Blast: Khwaja Moinuddin Chishti,



the Sufi Path, and Radical Islam’s Wall of Terror


AA bomb exploded at the venerable site of the dargah of the Sufi saint Khwaja Moinuddin Chishti in Ajmer yesterday and left two people dead, besides injuring many more. If this act of terrorism aims to enhance the objectives of extremist Muslims, one must ask what is to be gained by targeting such sites? What understanding of Islam do the perpetrators of such atrocities have, and what might possibly unite them with Hindu extremists?




Khwaja Moinuddin Chishti, who was born in (most likely) the Sistan province of Persia in 1141 CE, may have been a direct descendent of the Prophet Mohammed. His parents are thought to have died when he was 15 years old, and he is said to have gained a mystical experience upon encountering a famous monk by the name of Sheikh Ibrahmi Qandozi. Thereafter, according to the received version of his life, he is said to have sold his fruit orchard, inherited from his father, and left for Bukhara. Along with his teacher, the revered Sufi dervish Khwaja Usman Harooni (of Haroon, Iran), to whom Chishti is described as having rendered peerless service, Chishti traveled widely in West Asia for close to two decades, spending considerable periods of time in Khorasan and Samarkand, before bringing the Chishtiya [or Chishtiyyah] Silsila (order) to India.



Chishti settled down in Ajmer with his followers and came to be known as ‘Gharib Nawaz’, Protector [or Emperor] of the Poor. Chishti dwelled on the importance of respecting religious differences, keeping aloof from the established political order, and liberating oneself both from material possessions and systems of patronage. His teachings are said to be encompassed most concisely under the ideas of ‘Wahdat-al-Wujud’ ('Oneness of God') and ‘Sulh-i-Kul’ (‘Peace with All’). However, these dicta were to be understood not merely as abstract injunctions to lead the good life, but rather as moral imperatives to render service to fellow human beings, and in particular to the poor, the sick, and the afflicted.



Chishti acquired a massive following and has long been considered the most influential of the many important Sufi teachers and saints who have graced the Indian subcontinent over a millennium. It is during Akbar's time, in the second half of the sixteenth century, that Chishti’s shrine at Ajmer emerged as a major pilgrimage center, and Akbar himself is described in the Akbarnama as having been attracted to the Sufi saint’s teachings and having gone on foot to meet the saint to render him homage. Chishti’s 13th-century shrine at Ajmer, much like other famous Sufi shrines in South Asia, among them Delhi’s Nizamuddin Dargah, attracts huge numbers of Muslims, Hindus, and practitioners of other faiths. The birth anniversary (urs) of the saint (pir), which is held over the first six days of the lunar month of Rajab, brings his followers to Ajmer from around the world, though the dargah’s supreme importance is also underscored by the fact that Maulana Azad and Jawaharlal Nehru together piloted legislation that uniquely places the shrine under the jurisdiction of the Indian Parliament. The day-to-day management of the shrine is under the jurisdiction of the dargah committee, which was established under the provisions of the Dargah Khwaja Saheb Act of 1955.



In the history of the dargah, the extraordinary place it occupies in the religious lore of the Indian subcontinent as a supremely venerable site of syncretic practices, and the teachings of Chishti himself, lie all the clues that might be needed to understand why the sanctity of the Ajmer dargah has now been violated by terrorists. Many commentators, at least in the West, have described extremist or fundamentalist Islam as locked in battle with moderate Islam, but in the Indian subcontinent those do not appear to be the best terms to describe some contemporary currents in Islam. There is more than the faint suggestion that Islam should make itself ‘moderate’ so as to make itself more presentable to the West, as though being presentable or palatable to the West was the highest obligation of a faith such as Islam.



What the dargah of Khwaja Moinuddin Chishti signifies is the fact that, though Islam and Hinduism were cast by colonial commentators, and some of their modern-day successors, as religions occupying an adversarial relationship to each other, perhaps in few other places of the world have two religions which are so unlike each other in many crucial respects forged such an extraordinarily close relationship. The dargah and teachings of Chishti are supremely emblematic of the unique Indo-Islamic culture that has flourished for close to a millennium. Whoever the perpetrators of the terrorist attack on the dargah may be, they are joined in their thinking by the Hindu extremists – who, not coincidentally, targeted similar syncretic sites of religious belief and practice in Gujarat during the pogrom of 2002. If we recognize that Islam is much less monolithic than is commonly supposed to be the case, then it also follows that Islamic terrorists have an impoverished understanding of their own faith. Though they may believe that they are the custodians and protectors of Islam, they fear its suppleness and diversity. Radical Islam’s wall of terror is foolishly designed to protect Islam not from outside enemies, but from Islam’s own softer, mystical and syncretic aspects.

Akon » Hold My Hand Lyrics

Akon  :  Hold My Hand Lyrics

This life don't last forever (hold my hand)

So tell me what we're waitin for (hold my hand)

Better off being together (hold my hand)

Than being miserable alone (hold my hand)

Cause I've been there before

And you've been there before

But together we can be alright.

Cause when it gets dark and when it gets cold

We can just hold eachother till we see the sunlight

So if you just hold my hand

Baby I promise that I'll do all I can

Things will get better if you just hold my hand

Nothing can come in between us if you just hold, hold my, hold my, hold my hand.

The nights are getting darker (hold my hand)

And there's no peace inside (hold my hand)

So why make our lives harder (hold my hand)

By fighting love, tonight.

Cause I've been there before

And you've been there before

But together we can be alright.

Cause when it gets dark and when it gets cold

We can just hold eachother till we see the sunlight

So if you just hold my hand

Baby I promise that I'll do all I can

Things will get better if you just hold my hand

Nothing can come in between us if you just hold my hand

Akon Lyrics - Tired of Runnin Lyrics

Akon Lyrics - Tired of Runnin Lyrics

I'm sittin' on my porch watchin the law

As they ride past in their patrol cars

So tell me why I feel the enemy

They're supposed to be here protectin' me

I mighta went too far

Helpin' the contribute to makin' their job hard

Servin' fiends like these people ain't no enemy

I can't believe I'm out here killin' my community

If you knew how far I came

From where I am and where I used to be

Don't want it

You can tell by the look of me

This gangsta life ain't no longer in me

And I'm tired of the runnin

Tired of the runnin

Tired of the runnin

Runnin from the law

Baby you gotta believe me

Said I'm tired of the runnin

Tired of the runnin

Tired of the runnin

Runnin from the law

Baby ya gotta believe me

I know there's things I coulda changed girl

I know there's things I coulda done a lot better

Instead I'm in the streets tryin' to make that cheddar

Thinkin' in my mind you gonna be there forever

I know I coulda let it all go

Let it all go

But I was thinkin' it would make life better

Instead I'm sittin in this cell writin' this letter

Thought I wouldn't get caught cause I was way too clever

I learned there's no one to catch ya when ya fallin

And they'll be no one to hear ya when you're callin

Do you know what it's like to wake up in the mornin

While you're starvin you're hearin bugs crawlin'

Reminiscing on them days you was walkin

With pretty women on your arm

While you're starsick

Thankful that I didn't end up in a coffin

Somethin you see too often

I'm tired of the runnin

Tired of the runnin

Tired of the runnin

Runnin from the law

Baby you gotta believe me

Said I'm tired of the runnin

Tired of the runnin

Tired of the runnin

Runnin from the law

Baby ya gotta believe me

Said I'm tired

So tired

Said I'm tired of the runnin

Tired of the runnin

Tired of thr runnin

Runnin from the law

Baby you gotta believe me

Said I'm tired of the runnin

Tired of the runnin

Tired of the runnin

Runnin from the law

Akon - Dont Matter (Nobody Wanna See Us) lyrics

Akon - Dont Matter (Nobody Wanna See Us) lyrics

Konvict Konvict

Oh

Ohoohwooe

Oooh

Ooohhwooe



Nobody wanna see us together

But it don't matter no

Cause I got you

Nobody wanna see us together

But it don't matter no

Cause I got you

Cause we gon' fight

Oh yes we gon' fight(We gon' fight)

Believe we gon' fight(We gon' fight)



Fight for our right to love yeah

Nobody wanna see us together

But it don't matter no

Cause I got you babe



Nobody wanna see us together

Nobody thought we'd last forever

I feel I'm hopin' and prayin'

Things between us gon' get better

Men steady comin' after you

Women steady comin' after me

Seem like everybody wanna go for self

And don't wanna respect boundaries

Tellin' you all those lies

Just to get on your side

But I must admit there was a couple secrets

I held inside

But just know that I tried

To always apologize

And I'ma have you first always in my heart

To keep you satisfied



Nobody wanna see us together

But it don't matter no

Cause I got you babe

Nobody wanna see us together

But it don't matter no

Cause I got you

Cause we gon' fight

Oh yes we gon' fight(We gon' fight)

Believe we gon' fight(We gon' fight)



Fight for our right to love yeah

Nobody wanna see us together

But it don't matter no

Cause I got you babe



You got every right to wanna leave

You got every right to wanna go

You got every right to hit the road

And never talk to me no more

You don't even have to call

Even check for me at all

Because the way I been actin' lately

Has been off the wall

Especially towards you

Puttin' girls before you

And they watchin' everything I been doin'

Just to hurt you

Most of it just ain't true(Ain't true)

And they won't show you

How much of a queen you are to me

And why I love you baby



Nobody wanna see us together

But it don't matter no

Cause I got you babe

Nobody wanna see us together

But it don't matter no

Cause I got you

Cause we gon' fight

Oh yes we gon' fight(We gon' fight)

Believe we gon' fight(We gon' fight)



Fight for our right to love yeah

Nobody wanna see us together

But it don't matter no

Cause I got you babe



Oh oh oh oh oh

Cause I got you babe

Cause I got you babe

Ooooh

Cause I got you babe

Cause I got you babe



Nobody wanna see us together

But it don't matter no

Cause I got you babe

Nobody wanna see us together

But it don't matter no

Cause I got you babe

Cause we gon' fight

Oh yes we gon' fight(We gon' fight)

Believe we gon' fight(We gon' fight)



Fight for our right to love yeah

Nobody wanna see us together

But it don't matter no

Cause I got you babe

Nobody wanna see us together

But it don't matter no

Cause I got you babe

Nobody wanna see us together

But it don't matter no

Cause I got you babe

Cause we gon' fight

Oh yes we gon' fight(We gon' fight)

Believe we gon' fight(We gon' fight)



Fight for our right to love yeah

Nobody wanna see us together

But it don't matter no

Cause I got you babe



Oh

Ohoohwooe

Oooh

Ooohhwooe

Ohhhhohhhh----

Akon - Sorry Blame It On Me lyrics

Akon - Sorry Blame It On Me lyrics

As life goes on, I’m starting to learn more and more about responsibility.

And I realize that everything I do is affecting the people around me.

So I want to take this time out to apologize for things that I’ve done,

things that haven’t occurred yet,

and things that they don’t want to take responsibility for.



I’m sorry for the times that I left you home

I was on the road and you were alone

I’m sorry for the times that I had to go

I’m sorry for the fact that I did not know



That you were sitting home just wishing me

Could go back to when it was just you and me

I’m sorry for the times I would neglect

I’m sorry for the times I disrespect



I’m sorry for the wrong things that I’ve done

I’m sorry I’m not always there for my sons

I’m sorry for the fact that I’m not aware

That you can't sleep at night when I am not there



Because I’m in the streets like everyday

I’m sorry for the things that I did not say

Like how you are the best thing in my world

And how I’m so proud to call you my girl



Chrous:

I understand that there’s some problems

And I’m not too blind to know

All the pain you kept inside you

Even though you might not show



If I can't apologize for being wrong

Then it’s just a shame on me

(I’d be the reason for your pain) or (I’ll be the reason for your pain)

And you can put the blame on me



you can put the blame on me

you can put the blame on me

you can put the blame on me

you can put the blame on me



said, you can put the blame on me

said, you can put the blame on me

said, you can put the blame on me

you can put the blame on me



I’m sorry for the things that he put you through

And all the times you didn’t know what to do

I’m sorry that you had to go and sell those bags

Just trying to stay busy until you heard from Dad



When you would rather be home with all your kids

As one big family with love and bliss

And even though pops treated us like kings

He got a second wife and you didn’t agree



He got up and left you there all alone

I’m sorry that you had to do it on your own

I’m sorry that I went and added to your grief

I’m sorry that your son was once a thief



I’m sorry that I grew up way to fast

I wish I would of listened and not be so bad

I’m sorry that your life turned out this way

I’m sorry that the feds came and took me away



Chrous:

I understand that there’s some problems

And I’m not too blind to know

All the pain you kept inside you

Even though you might not show



If I can't apologize for being wrong

Then it’s just a shame on me

(I’d be the reason for your pain) or (I’ll be the reason for your pain)

And you can put the blame on me



you can put the blame on me

you can put the blame on me

you can put the blame on me

you can put the blame on me



said, you can put the blame on me

said, you can put the blame on me

said, you can put the blame on me

you can put the blame on me



I’m sorry that it took so long to see

But they were dead wrong, trying to put it on me

I’m sorry that it took so long to speak

But I was on tour with Gwen Stefani



I’m sorry for the hand that she was dealt

And for the embarrassment that she felt

She’s just a little young girl tryin to have fun

But daddy should of never let her out that young



I’m sorry for Club Zen getting shut down

I hope they manage better next time around

How was I to know she was underage

In a 21 and older club they say



Why doesn’t anybody want to take blame

Verizon backed out, disgracing my name

I’m just a singer trying to entertain

Because I love my fans, I’ll take that blame



Even though the blame’s on you

Even though the blame’s on you

Even though the blame’s on you

I’ll take that blame from you



And you can put that blame on me

And you can put that blame on me

you can put that blame on me

you can put that blame on me



And you can put that blame on me

And you can put that blame on me

Akon - Smack That lyrics

Akon - Smack That lyrics

[Akon:]

Shady

convict

Upfront

Akon

Slim Shady



I see the one, because she be that lady! Hey!

I feel you creeping, I can see it from my shadow

Wanna jump up in my Lamborghini Gallardo

Maybe go to my place and just kick it like tabo

and possibly bend you over look back and watch me



[Chorus (2X)]



Smack that all on the floor

Smack that give me some more

Smack that 'till you get sore

Smack that oh-oooh!



Upfront style ready to attack now

pull in the parking lot slow with the lac down

convicts got the whole thing packed now

Step in the club now and wardobe intact now!

I feel it down and cracked now (ooh)

I see it dull and backed now

I'm gonna call her, than I pull the mack down

Money no problem, pocket full of that now!



I feel you creeping on, I can see from my shadow

Wanna jump up in my Lamborghini Gallardo

Maybe go to my place and just kick it like tabo

and possibly bend you over look back and watch me



[Chorus (2x)]



[Eminem:]



Ooh...Looks like another club banger

They better hang on when they throw this thang on

Get a lil' drink on

They goin' flip for this Akon shit

You can bank on it!

Pedicure manicure kitty-cat claws

The way she climbs up and down them poles

Looking like one of them pretty-cat dolls

Trying to hold my woody back throuh my drawers

Steps upstage and didn't I saw her

Creeps up behind me, shes like "your"

I'm like ya I know lets cut to the chase

No time to waste back to my place

Plus from the club to the crib's like a mile away

or more like a palace shall I say

and Plus I got a pal every gal is game

In fact he is the one singing the song that's playing

"Akon!"



[Akon:]



I feel you creeping on, I can see from my shadow

Wanna jump up in my Lamborghini Gallardo

Maybe go to my place and just kick it like tabo

and possibly bend you over look back and watch me



[Chorus]



Eminem is rollin', d and em rollin' bo

And all marvelous them rolling

Women just holding big booty rollin'

Soon I'll be on Eminem throwin "D!"

Hittin on less than "Three!"

Block wheel style like "Whee!"

Girl I can tell you want me because lately



I feel you creeping on, I can see from my shadow

Wanna jump up in my Lamborghini Gallardo

Maybe go to my place and just kick it like tabo

and possibly bend you over look back and watch me



[Chorus]

Akon - Lonely lyrics

Akon - Lonely lyrics

Lonely im so lonely,


I have nobody,

To call my owwnnn

Im so lonely, im mr. Lonely

I have nobody,

To call my owwnnn

Im so lonely,



Yo this one here goes out to all my playas out there ya kno got to have one good girl whose always been there like ya

Kno took all the bullshit then one day she cant take it no more and decides to leave



I wont up in the middle of the night and I noticed my girl wasn't by my side, coulda sworn I was dreamin, for her I was

Feenin, so I hadda take a little ride, back tracking ova these few years, tryna figure out wat I do to make it go bad, cuz

Ever since my girl left me, my whole left life came crashin



Im so lonely (so lonely),

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own) girl



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own) girl



Cant belive I hadda girl like you and I just let you walk right outta my life, after all I put u thru u still stuck

Around and stayed by my side, what really hurt me is I broke ur heart, baby you were a good girl and I had no right, I

Really wanna make things right, cuz without u in my life girl



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody to call my own)

To call my own (to call my own) girl



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own) girl



Been all about the world ain't neva met a girl that can take the things that you been through

Never thought the day would come where you would get up and run and I would be out chasing u

Cuz aint nowhere in the globe id rather be, aint noone in the globe id rather see then the girl of my dreams that made me

Be so happy but now so lonely



So lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own)



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own) girrll



Never thought that id be alone, I didnt hope you'd be gone this long, I jus want u to come home, so stop playing girl and

Come on home (come on home), baby girl I didn't mean to shout, I want me and you to work it out, I never wished Id ever

Hurt my baby, and its drivin me crazy cuz...



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own)



Im so lonely (so lonely)

Im mr. Lonely (mr. Lonely)

I have nobody (I have nobody)

To call my own (to call my own) girll



Lonely, so lonely

So lonely, (so lonely),

Mr. Lonely, so lonely

So lonely, so lonely, (so lonely), Mr. Lonely

Backstreet Boys - I Want It That Way (Original Version) lyrics

Backstreet Boys - I Want It That Way (Original Version) lyrics

Backstreet Boys

I Want it that Way (Original Version)

You're my first thought everyday

And I want it that way



Nick: My life is for you

And I adore you

I love you more everyday

And I want it that way



CHORUS:

Nick: No goodbyes

All: Ain't nothin' but a heartache

Nick: No more lies

All: Ain't nothin' but a mistake, that is why

Nick: I love it when I hear you say

All: I want it that way



AJ: My heart is on fire

(It's) A strong desire

Yes I know, it's too late

But I want it that way



AJ: No goodbyes

All: Ain't nothin' but a heartache

AJ: No more lies

All: Ain't nothin' but a mistake

All: That is why

AJ: I love it when I hear you say

All: I want it that way

Kevin: I gave you my heart baby right from the start

And that's the way it will always be (Yeah)

No matter the distance, I want you to know

That deep down inside of me...

Howie: You are, my fire

The one desire

You are

All: You are

You are

You are


Nick: Don't wanna hear you say

All: Ain't nothin' but a heartache

All: Ain't nothin' but a mistake

(Nick: I wanna hear you say)

All: I love it when I hear you say

(Nick: oh yeah)

All: You want it that way

Repeat chorus twice

And I want it that way

Backstreet Boys - Inconsolable lyrics

Backstreet Boys - Inconsolable lyrics

I close the door

Like so many times, so many times before

Felt like a scene on the cutting room floor

when i let you walk away tonight

Without a word



I try to sleep, yeah

But the clock is stuck on thoughts of you and me

A thousand more regrets unraveling, ohh

If you were here right now, I swear,

I'd tell you this



CHORUS:

Baby I don't want to waste another day

Keeping it inside it's killing me

Cause all i ever wanted, it comes right down to you (to you)

I'm wishing I could find the words to say

Baby I would tell you every time you leave

I'm inconsolable



I climb the walls

I can see the edge but I can't take the fall, no.

I memorized the number

So why can't i make the call

Maybe 'cause I know you'll always be with me

In the possibility (ohh)



CHORUS:

Baby I don't want to waste another day, another day

Keeping it inside it's killing me

Cause all I ever wanted, it comes right down to you (to you)

I'm wishing I could find the words to say

Baby I would tell you every time you leave

I'm inconsolable (oh no no)



I don't wanna be like this

I just wanna let you know

That everything that i hold in

Is everything that i can't let go (can't let go, yeah)



CHORUS:

'Cause baby I don't want to waste another day

Keeping it inside it's killing me

Cause all I ever wanted, it comes right down to you (to you)

I'm wishing I could find the words to say

Baby I would tell you every time you leave

I'm inconsolable oh no

Don't you know it baby

I don't want to waste another day



I'm wishing I could find the words to say

Baby I would tell you every time you leave

I'm inconsolable

Backstreet Boys - Quit Playing Games lyrics

Backstreet Boys - Quit Playing Games lyrics

Even in my heart I see

You�re not being true to me

Deep within my soul I feel

Nothing�s like it used to be

Sometimes I wish I could turn back time

Impossible as it may seem

But I wish I could so bad baby



Chorus

Quit playin� games with my heart

Before you tear us apart

I should�ve known from the start

Before you got in my heart



I live my life the way

To keep you coming back to me

Everything I do is for you

So what is it that you can�t see?

Sometimes I wish I could

Turn back time, impossible as it may seem

But I wish I could so bad baby

You better quit playin� games with my heart



Chorus



Quit playing  games

Baby, baby, the love that we had was so strong

Don�t leave me hangin here forever

Oh baby, baby, this is not right

Lets stop this tonight



Baby, quit playin games

Sometimes I wish I could

Turn back time, impossible as it may seem

But I wish I could

So bad, baby

Quit playin games with my heart


Chorus

BRITISH INDIA

BRITISH INDIA

The British presence in India dates back to the early part of the seventeenth century. On 31 December 1600, Elizabeth, then the monarch of the United Kingdom, acceded to the demand of a large body of merchants that a royal charter be given to a new trading company, "The Governor and Company of Merchants of London, Trading into the East-Indies." Between 1601-13, merchants of the East India Company took twelve voyages to India, and in 1609 William Hawkins arrived at the court of Jahangir to seek permission to establish a British presence in India. Hawkins was rebuffed by Jahangir, but Sir Thomas Roe, who presented himself before the Mughal Emperor in 1617, was rather more successful. Two years later, Roe gained Jahangir's permission to build a British factory in Surat, and in 1639, this was followed by the founding of Fort St. George (Madras). Despite some setbacks, such as the Company's utter humiliation at the hands of the Mughal Emperor Aurangzeb, with whom the Company went to war between 1688-91, the Company never really looked back.

In 1757, on account of the British victory at Plassey, where a military force led by Robert Clive defeated the forces of the Nawab of Bengal, Siraj-ud-daulah, the East India Company found itself transformed from an association of traders to rulers exercising political sovereignty over a largely unknown land and people. Less than ten years later, in 1765, the Company acquired the Diwani of Bengal, or the right to collect revenues on behalf of the Mughal Emperor, in Bengal, Bihar, and Orissa. The consolidation of British rule after the initial military victories fell to Warren Hastings, who did much to dispense with the fiction that the Mughal Emperor was still the sovereign to whom the Company was responsible. Hastings also set about to make the British more acquainted with Indian history, culture, and social customs; but upon his return to England, he would be impeached for high crimes and misdemeanors. His numerous successors, though fired by the ambition to expand British territories in India, were also faced with the task of governance. British rule was justified, in part, by the claims that the Indians required to be civilized, and that British rule would introduce in place of Oriental despotism and anarchy a reliable system of justice, the rule of law, and the notion of 'fair play'. Certain Indian social or religious practices that the British found to be abhorrent were outlawed, such as sati in 1829, and an ethic of 'improvement' was said to dictate British social policies. In the 1840s and 1850s, under the governal-generalship of Dalhousie and then Canning, more territories were absorbed into British India, either on the grounds that the native rulers were corrupt, inept, and notoriously indifferent about the welfare of their subjects, or that since the native ruler had failed to produce a biological male heir to the throne, the territory was bound to "lapse" into British India upon the death of the ruler. Such was the fate of Sambalpur (1849), Baghat (1850), Jhansi (1853), Nagpur (1854), and -- most tragically -- Awadh (1856). The Nawab of Awadh [also spelled as Oudh], Wajid Ali Shah, was especially reviled by the British as the worst specimen of the Oriental Despot, more interested in nautch girls, frivolous amusements -- kite-flying, cock-fighting, and the like -- and sheer indolence than in the difficult task of governance. The British annexation of Awadh, and the character of the Nawab, were made the subjects of an extraordinary film by Satyajit Ray, entitled The Chess Players ("Shatranj ke Khilari").

Shortly after the annexation of Awadh, the Sepoy Mutiny, more appropriately described as the Indian Rebellion of 1857-58, broke out. This was by far the greatest threat posed to the British since the beginnings of their acquisition of an empire in India in 1757, and within the space of a few weeks in May large swathes of territory in the Gangetic plains had fallen to the rebels. Atrocities were committed on both sides, and conventionally the rebellion is viewed as marking the moment when the British would always understand themselves as besieged by hostile natives, just as the Indians understood that they could not forever be held in submission. If in the early days of the Company's rule a legend was constructed around the Black Hole of Calcutta, so signifying the villainy of Indians, the Rebellion of 1857-58 gave rise to an elaborate mythography on both sides. Delhi was recaptured by British troops in late 1857, the Emperor Bahadur Shah, last of the Mughals, was put on trial for sedition and predictably convicted, and by mid-1858 the Rebellion had been entirely crushed. The East India Company was abolished, though John Stuart Mill, the Commissioner of Correspondence at India House, London, and the unacknowledged formulator of British policy with respect to the native states, furnished an elaborate but ultimately unsuccessful plea on behalf of the Company. India became a Crown colony, to be governed directly by Parliament, and henceforth responsibility for Indian affairs would fall upon a member of the British cabinet, the Secretary of State for India, while in India itself the man at the helm of affairs would continue to be the Governor-General, known otherwise in his capacity as the representative of the monarch as the Viceroy of India.




The proclamation of Queen Victoria, in which she promised that she and her officers would work for the welfare of their Indian subjects, ushered in the final phase of the British Raj. Among Indians, there were debates surrounding female education, widow remarriage, the age of consent for marriage, and more generally the status of women; and in the meanwhile, with increasing emphasis on English education, and the expansion of the government, larger numbers of Indians joined government service. There was, similarly, a considerable increase in both English-language and vernacular journalism, and in 1885 the Indian National Congress, at first an association comprised largely of lawyers and some other professionals, was founded in order that educated Indians might gain something of a voice in the governance of their own country. However, nationalist sentiments could not be confined within the parameters set by a gentlemanly organization such as the Congress, and both in Maharashtra, where the radicals were led by Bal Gangadhar Tilak, and in Bengal armed revolutionaries attempted to carry out a campaign of terror and assassination directed at British officials and institutions. In 1905, on the grounds that the governance of Bengal had become impossible owing to the large size of the presidency, the British partitioned Bengal, and so provoked the first major resistance to British rule and administrative policies in the aftermath of the Rebellion of 1857-58. It is during the Swadeshi movement that Indians deployed various strategies of non-violent resistance, boycott, strike and non-cooperation, and eventually the British had to agree to revoke the partition of Bengal. The partition itself had been attempted partly with a view to dividing the largely Muslim area of East Bengal from the western part of Bengal, which was predominantly Hindu, and the communalist designs of the British were clearly demonstrated as well in their encouragement of the Muslim League, a political formation that came into existence in 1907, on the supposition that the interests of the Muslims could not be served by the Indian National Congress. The capital of the country was shifted as well from Calcutta to Delhi, where a new set of official buildings designed to reflect imperial splendor led to the creation of New Delhi.

During World War I, when Britain declared that India was at war with Germany as well, large number of Indian troops served overseas, and the declaration by the Secretary of State Montagu in 1917 to the effect that it would be the intent of the Government of India to increase gradually Indian participation in the administration of the country was seen as an encouragement of Indian ambitions of eventual self-rule. But following the conclusion of the war, the British sought to introduce draconian legislation to contain the activity of people presumed to be political extremists, and the Punjab disturbances of 1919, including the notorious massacre by General Dyer of nearly 400 unarmed Indians at the Jallianwala Bagh in Amritsar in April, marked the emergence of a nation-wide movement against British rule. The events of 1919 also brought to the fore Mahatma Gandhi, who would henceforth be the uncrowned king of the Indian nationalist movement. Gandhi led the non-cooperation movement against the British in 1920-22, as well as a campaign of civil disobedience in 1930-31, and in 1942 he issued the call to the British to 'Quit India'. Negotiations for some degree of Indian independence, led by Gandhi, first took place in 1930 at the Round Table Conferences in London, but shortly thereafter the Congress decided to adopt a resolution calling for purna swaraj, or complete independence from British rule. Meanwhile, relations between the Hindus and Muslims had deteriorated, and during the latter years of World War II, when the leaders of the Congress, including Gandhi, Jawaharlal Nehru, and Sardar Patel were incarcerated, the Muslim League, which declared itself in support of the British war effort, had a free hand to spread the message of Muslim separatism. When, in the aftermath of the war, and the triumph of the Labor party, the British Prime Minister Clement Atlee declared that the British would grant India its independence, negotiations were commenced with all the major political parties and communities, including the Sikhs, the Congress, and the Muslim League. In launching Direct Action Day in 1946, which led to immense communal killings in Calcutta, the Muslim League sought to convey the idea that an undivided India was no longer a possibility; and the eventual attainment of independence from British rule on 15 August 1947 was accompanied not only by the creation of the new state of Pakistan, comprised of Muslim-majority areas in both the eastern and western parts of India, but by the unprecedented horrors of partition. At least 500,000 people are estimated to have been killed, and many women were abducted or raped; and it is estimated that no fewer than 11 million Hindus, Muslims, and Sikhs crossed borders, which to this day remains the single largest episode of migration in history.




Though the political narrative dominates in accounts of the history of British India, as in the preceding pages, the social and cultural histories of the British Raj are no less interesting. There are doubtless enduring, though not necessarily desirable, influences of British rule in contemporary India. The elites of the country write and converse largely in English, and are connected amongst themselves, and to the larger world outside, through the English language. The Constitution of India, howsoever noble a document, has been decisively shaped by the Government of India Act of 1935, which was scarcely designed to alleviate the distress of the predominantly underprivileged population of India, and not much thought seems to have been given to considering how appropriate a parliamentary system, with roughly the same number of seats in the lower (elected) house, the Lok Sabha, as in the House of Commons, might be for India when it is infinitely larger than Britain. The political and administrative institutions of independent India operate on the assumption that the country is still under colonial rule, and that the subjects are to have no voice in governance, unless they make an extreme fuss. The legal structure was handed down by the British, and the presumption remains that it does not exist to serve the common person, any more than does the vast apparatus of 'law and order': it is no accident that the police always arrive late in the popular Hindi film, when communities have already successfully taken the law into their own hands. The only innovations which have of been use in meeting forms of extreme oppression and injustice, such as Public Interest Litigation, are those which have effected a departure from the colonial model of justice.



India inherited from the British its present university system, and the origins of the summer migration of the middle class and elites to hill stations date back to the early nineteenth century. Social institutions such as clubs and gymkhanas, which persist down to the present day, were a critical part of British life, as E. M. Forster's A Passage to India, Orwell's Burmese Days, and the novels of John Masters and Paul Scott so amply suggest. Though the Indian languages were well developed before the arrival of the British in India, the standardization of these languages, and the creation of the first grammars and dictionaries, was achieved under British rule. The influential school of Kalighat painting emerged in late nineteenth century, and can scarcely be understood without a reference to the creation of a modern market, and similarly the printing press, which arrived in India in the sixteenth century, heralded the age of mechanical reproduction in India. In sports, the abiding passion remains cricket (once a preeminently colonial game), and the favorite drink of the Indian middle class male remains scotch and soda. One could point to a thousand different manifestations of the British presence in India, and slowly, one hopes, our histories will also alert us to the transformations wrought in British institutions and practices in post-independent India.

Backstreet Boys - Shape Of My Heart lyrics

Backstreet Boys - Shape Of My Heart lyrics

Hmm, yeah, yeah

Baby, please try to forgive me

Stay here, don't put out the glow

Hole me now, don't bother if every minute it makes me weaker

You can save me from the man that I've become



:Chorus:

Lookin' back on the things I've done

I was tryin' to be someone

I played my part, kept you in the dark

Now let me show you the shape of my heart



Send in this beautiful loneliness that's tragical

So help me I can't win this war, oh no

Touch me now don't bother if every second it makes me weaker

You can save me from the man I've become



:Chorus:



I'm here with my confession

Got nothing to hide no more

I don't know where to start

But to show you the shape of my heart...



I'm lookin' back on the things I've done

I never wanna play the same old part

I'll keep you in the dark

Now let me show you the shape of my heart



:Chorus: 2x


Show you the shpae of my heart...

Indian Classical Dancers

Indian Classical Dancers

In the Indian culture, classical dance has a lot of significance. It is not merely meant for entertaining oneself, but it serves as a fabulous way to express the innate feelings of heart. It is one of the best means to get connected to God. The theoretical aspect related to Indian classical dance can be traced back during the period of Natya Shastra of Bharata Muni (400 BC). In the ancient times, dance was performed to appease the deities and was considered a vital element of spirituality.



Dance performances took place inside the sanctum of the temple. As per the scriptures, this dance form was referred to as Agama Nartanam. Classical dances of India also found their way in the royal courts and they were popularly known as Carnatakam. There are numerous classical dancers, who have established a niche for themselves in this creative field. They have made an incredible contribution in popularizing the varied dance forms of India abroad.



Mallika Sarabhai

She is a well known Kuchipudi and Bharatanatyam dancer of India. She is the daughter of renowned artists. Her mother is a great dancer and father is a famous scientist. Well, we are talking about the celebrated dancer Mallika Sarabhai. In this article, we will present you with the biography of Mallika Sarabhai.



Shovana Narayan

maestro of Kathak dance, she is a well known name that appears on the top in the list of eminent classical dancers of India. Her wonderful performances have left the people awestruck. Her teacher is none other than the famous Birju Maharaj. Well, we are talking about the great Indian Kathak dancer Shovana Narayan.



Sonal Mansingh

An eminent Indian classical dancer, she is the maestro of Odissi dance form. She is also proficient in performing other dance forms such as Kuchipudi, Bharatnatyam and Chhau. Well, we are talking about the great Indian dancer Sonal Mansingh, who has made Indians proud. In this article, we will present you with the biography of Odissi dancer Sonal Mansingh, one of the most prominent dancers of India.



Yamini Krishnamurthy

Born in the year 1940 to a Telugu family at Chidambaram in Tamilnadu, Yamini Krishnamurthy is an eminent Bharatnatyam dancer, who has swayed the entire country with her fabulous dance performance. She is also well known for her Kuchipudi dance style. When she was five years old, she started learning Bharatnatyam dance from the Kalashetra School of Dance in Chennai.



Birju Maharaj

Pandit Birju Maharaj is a legendary Kathak dancer. He belongs an illustrious family of dance masters of the Lucknow gharana. His two uncles Shambu and Lacchu Maharaj, and his father Acchan Maharaj were all well-known Kathak dancers. Apart from Kathak, Pandit Birju Maharaj is also an accomplished vocalist.

Backstreet Boys - Show Me The Meaning lyrics

Backstreet Boys - Show Me The Meaning lyrics

Show me the meaning of being lonely

Verse 1

So many words for the broken heart,

its hard to see in a crimson love,

so hard to breath,

walk with me and maybe

nights of light so soon become

wild and free I could feel the sun

your every wish will be done they tell me


Chorous


Show me the meaning of being lonely

is this the feeling I need to walk with

tell me why I can't be there where you are

there's somethin' missin' in my heart

Verse 2

Life goes on as it never ends

eyes of stone observe the trend

they never say forever gaze, if only,

beauty roams to an endless love

there's no control are you with me now

your every wish will be done they tell me



Chorous



Verse3

there's no where to run I have no place to go

surrender my heart body and soul

how could it be ur askin me to feel things you never show



Chours X2

woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee - The Train

woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee

woh ajnabee woh woh woh woh ajanabee, woh ajanabee.......


(aisa koi mujhko mil gaya hai saathiya

jise dekhakar main bhulu saari duniya) - 2

(woh woh woh ajanabee, woh ajanabee jo dekhe dur se

dekhu main usako hi, ho usako hi, abb sab kuchh bhul ke) - 2

dhadkan dhadkan ya saanson mein

raatein raatein ya khaabon mein

sab mein sab mein wahi toh hai, ke bata doon main use

shaame shaame ya subaho mein

shaamil shaamil woh har pal mein

har dum har dum woh baaton mein, mere rahi hai kahin woh woh woh...

woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee

woh woh woh ajnabee, woh ajnabee, woh ajnabee........



(abb usase aisa jud gaya hai silsila

wohi woh nazar aaye mujhko har jagah) - 2

yeh yeh yeh jindagi roshan huyi hai usake noor se

dil ko sachchi khushi haasil huyi hai usake ishq se

mujhko abb har ghadi, woh har ghadi, usakaa hi suroor hai

de de woh usako haan usako hi aankhen??? majboor hai

dhadkan dhadkan ya saanson mein

raatein raatein ya khaabon mein

sab mein sab mein wahi toh hai, ke bata doon main use

shaame shaame ya subaho mein

shaamil shaamil woh har pal mein

har dum har dum woh baaton mein, mere rahi hai kahin woh woh woh...

woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee

woh woh woh ajnabee, woh ajnabee, woh ajnabee........



(usako paake paaya maine saara jahaan

rab usako karana na kabhi bhi juda) - 2

woh woh abb bandagi shaamil huyi, hai meri ?? mein

dil ko sachchi khushi haasil huyi hai usake ishq se

mujhko abb har ghadi, woh har ghadi, usakaa hi suroor hai

de de woh usako ho usako hi aankhen?? majboor hai

dhadkan dhadkan ya saanson mein

raatein raatein ya khaabon mein

sab mein sab mein wahi toh hai, ke bata doon main use

shaame shaame ya subaho mein

shaamil shaamil woh har pal mein

har dum har dum woh baaton mein, mere rahi hai kahin woh woh woh...

woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee

woh woh woh ajnabee, woh ajnabee, woh ajnabee........



woh ajnabee, woh ajnabee, woh ajnabee, woh ajnabee

Backstreet Boys - I Want It That Way Lyrics

Backstreet Boys - I Want It That Way Lyrics

"I Want It That Way"

Yeah

You are my fire

The one desire

Believe when I say

I want it that way



But we are two worlds apart

Can't reach to your heart

When you say

That I want it that way



[Chorus:]

Tell me why

Ain't nothin' but a heartache

Tell me why

Ain't nothin' but a mistake

Tell me why

I never wanna hear you say

I want it that way



Am I your fire

Your one desire

Yes I know it's too late

But I want it that way



[Chorus]



Now I can see that we're falling apart

From the way that it used to be, yeah

No matter the distance

I want you to know

That deep down inside of me...



You are my fire

The one desire

You are

You are, you are, you are



Don't wanna hear you say

Ain't nothin' but a heartache

Ain't nothin' but a mistake

(Don't wanna hear you say)

I never wanna hear you say

I want it that way



Tell me why

Ain't nothin' but a heartache

Tell me why

Ain't nothin but a mistake

Tell me why

I never wanna hear you say

(Don't wanna hear you say it)

I want it that way

I want it that way

Backstreet Boys - As Long As You Love Me Lyrics

Backstreet Boys - As Long As You Love Me Lyrics

Although loneliness has always been a friend of mine

I'm leaving my life in your hands

People say I'm crazy and that I am blind

Risking it all in a glance

And how you got me blind is still a mystery

I can't get you out of my head

Don't care what is written in your history

As long as you're here with me



Chorus:

I don't care who you are

Where you're from

What you did

As long as you love me

Who you are

Where you're from

Don't care what you did

As long as you love me



Every little thing that you have said and done

Feels like it's deep within me

Doesn't really matter if you're on the run

It seems like we're meant to be



Chorus



Bridge:

I've tried to hide it so that no one knows

But I guess it shows

When you look into my eyes

What you did and where you are comin' from

I don't care, as long as you love me, baby.



Chorus



Who you are

Where you're from

Don't care what you did

As long as you love me

(Repeat to fade)

Nahin saamne ye alag baat hai Lyrics - Taal

Nahin saamne ye alag baat hai Lyrics - Taal

Dekho chhodke kis raste vo jaate hain


Saare raste vaapas mere dil ko aate hain


Nahin saamne

Nahin saamne ye alag baat hai

Nahin saamne ye alag baat hai

Mere paas hai

Mere paas hai tu mere paas hai

Mere paas hai tu mere paas hai

Mere saath hai mere saath hai


Tera naam maine liya hain yahaan

Mujhe yaad tune kiya hai vahaan

Tera naam maine liya hain yahaan

Mujhe yaad tune kiya hai vahaan

Bade zor ki aaj barsaat

Bade zor ki aaj barsaat

Mere paas hai tu mere paas hai

Mere paas hai tu mere paas hai

Mere saath hai mere saath hai



Bichhad ki bhi mujhse juda to nahin

Khafa hai magar bewafa to nahin

Bichhad ki bhi mujhse juda to nahin

Khafa hai magar bewafa to nahin

Mere haath mein hi tera haath hai

Mere haath mein hi tera haath hai

Mere paas hai tu mere paas hai

Mere paas hai tu mere paas hai

Mere saath hai mere saath hai

Mere paas hai mere paas hai

Mere saath hai mere saath hai

Mere paas hai mere paas hai

Switchfoot - On Fire lyrics

Switchfoot - On Fire lyrics

Tell you where you need to go

Tell you who you need to be

Tell you what you need to know

Tell you when you�ll need to leave



But everything inside you knows

Says more than what you�ve heard

So much more than empty conversations

Filled with empty words



Chorus:



And you�re on fire

When he�s near you

You�re on fire

When he speaks

You�re on fire

Burning at these mysteries



Give me one more time around

Give me one more chance to see

Give me everything you are

Give me one more chance to be... (near you)



Cause everything inside looks like

Everything I hate

You are the hope I have for change

You are the only chance I�ll take



Chorus:

When I�m on fire

When you�re near me

I�m on fire

When you speak

And I�m on fire

Burning at these mysteries

These mysteries...



I�m standing on the edge of me (x3)

I�m standing on the edge



Chorus:



And I�m on fire

When you�re near you

I�m on fire

When you speak

(yea) I�m on fire

Burning at these mysteries...

Clues to attract a Man

Clues to attract a Man

What makes a woman attractive to a man?




In fact every woman sends out signals to men. Most men can detect and read your signals in a matter of seconds. The first pulses you emit are your dress and your body language.


It’s incredibly easy for a woman to attract attention from men. Just wear skin-tight, thigh-length, revealing clothing. You’ll get lots of male attention. But will it be the kind of attention you want? Fishermen insist that the fish you catch is determined by the bait you use.


Would you like to make yourself more appealing to a man who will be attracted to you as a person and not as an object? If so, remember these tips to keep in mind when trying to attract a man.


Confidence is the number one attraction. Being more confident with yourself and your surroundings will attract someone that is equal to you. You will also notice that more people are drawn to you.


Appearance is also a big issue. Your appearance and body language may catch his attention, but it takes personality and charm to sustain a man's interest.

Realize you only have one chance to make a good first impression. If he sees you when you are at your worst then he will not want to look a second time.


Give a man a reason to think about you. Wear a lingering fragrance that haunts his memory, soft clothes that he yearns to touch and a smile that he can't get out of his mind. And don’t forget to leave a little something to the imagination. An air of mystery can be provocative and appealing to a man.


Make him feel important by focusing your full attention on him. Listen intently to what he has to say and respond with respect for his opinions, laugh at his jokes no matter how lama they are, take an interest in his interests.


And finally – don't try and be something you are not. He will be falling for a false idol and will not want to know you when he sees the real you. Let him know you're different from all the rest. Emphasize your originality through your personality, intelligence and behavior.

'Quit India' Movement

'Quit India' Movement

At the outbreak of war in 1939 between Britain and Germany, India was also declared to be at war with Germany as it constituted part of the British empire. The Congress took the view that while it opposed fascism, it could render no support to the British either: there was little to choose between the totalitarianism of the Nazis and the colonialism of the British. It was not with the consent of the Indian people that India was dragged into the war, nor was this India's war; moreover, the Congress expected, but could not procure, an unconditional offer of British withdrawal from India as a condition of its support. Consequently, neutrality was the official policy of the Congress. In an effort to bring the British to the negotiating table, Gandhi launched his 'Quit India' movement in August 1942, and issued from a large meeting ground in Bombay (since re-named August Kranti [revolution] Maidan) the famous call to 'do or die': Indians were to wage one last struggle to achieve independence, or die in that attempt. Elaborate plans were made to offer non-violent resistance; however, almost the entire Congress leadership, and not merely at the national level, was put into confinement less than twenty-four hours after Gandhi's speech, and the greater number of the Congress leaders were to spend the rest of the war in jail.

T he 'Quit India' movement was followed, nonetheless, by large-scale violence directed at railway stations, telegraph offices, government buildings, and other emblems and institutions of colonial rule. There were widespread acts of sabotage, and the government held Gandhi responsible for these acts of violence, suggesting that they were a deliberate act of Congress policy. Gandhi resolutely denied these charges, but the deadlock was not to be resolved. It has been suggested by other scholars that though Gandhi himself did not authorize violence, he had grown skeptical of the efficacy of non-violence, and that he had arrived at the point in his life where he was determined to see India attain independence during his lifetime. However attractive this line of reasoning might appear, it has little support in Gandhi's voluminous writings. Others have suggested that the 'Quit India' movement was a failure in that it invited the government to unleash repression, and therefore led to the incarceration of the Congress leadership. Consequently, it has been argued, the Muslim League, which declared its support to the British, was to grow in strength during the war, while the Congress languished. Though the Muslim League failed to secure support even among Muslim voters before the war, elections in 1946 suggested that it had the loyalty of the majority of Muslims in many Muslim-dominant areas. On these lines, then, it is suggested that the 'Pakistan movement' developed when there were no countervailing forces to check it, and that Gandhi played into the hands of both Muslim communalists and British imperialists. The 'Quit India' movement remains, in any event, among the most controversial episodes in Gandhi's life and modern Indian history.

Enrique Iglesias - Away lyrics

Enrique Iglesias - Away lyrics

Away away, oh yea away away this feels like the coldest day in a hurricane looking through a glass window

and ya screaming to the top of yours lungs,

and the bells done rung and the crowd can’t hear you

and all that i can see is a building burning

i just gotta rescue my baby but you don’t even recognize me

and even though the feeling’s been gone

i just wanna be here to pick up the little pieces of remains



i’m going down the plane is smoking

and the only one who can save me is you but you wanna throw me



Chorus: Away, away, away, away,

oh why i wanna know

i wanna know why you wanna throw me



Away, away, away, away,

oh why

i gotta know why you wanna throw me away



you used to ask why i was i so skeptic of love

girl cuz it changes,

and it ain’t got to be no real reason

you start to live the dream and before you know there’s a door that open,

and the moment you walk in it close


maybe it’s somebody else or a situation that you can’t help



oh love, oh love, oh love,

oh love just ain’t what it used to be

i confronted my fears with open arms

although you said you will never give up on us

but now you blow me away



Chorus2

Perfect we said we’d never be so why is this happening to me no way no way no way

Ishq bina kya marna yaara - Taal

Ishq bina kya marna yaara - Taal

Ishq bina kya marna yaara


Ishq bina kya jeena

Ishq bina kya marna yaara

Ishq bina kya jeena

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Vaada ya pakka ishq ishq

Dhaaga ye kachcha ishq ishq

O...

Ishq bina kya marna yaara

Ishq bina kya jeena



Gud se meetha ishq ishq

Imli se khatta ishq ishq

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Vaada ya pakka ishq ishq

Dhaaga ye kachcha ishq ishq

Ishq bina kya marna yaaron

Ishq bina kya jeena

Ishq bina kya marna yaaron

Ishq bina kya jeena

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Vaada ya pakka ishq ishq

Dhaaga ye kachcha ishq ishq



Ishq bina kya marna yaara

Ishq bina kya jeena



Neeche ishq hai oopar rab hai

In donon ke beech mein ke sab hai

Neeche ishq hai oopar rab hai

In donon ke beech mein ke sab hai

Ek nahin sau baatein karlo

Sau baaton ka ek matlab hai

Rab sab se sona ishq ishq

Rabse bhi sona ishq ishq

Rab sab se sona ishq ishq

Rabse bhi sona ishq ishq

O...



Ishq bina kya marna yaaron

Ishq bina kya jeena

Ishq bina kya marna yaaron

Ishq bina kya jeena

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Heera na panna ishq ishq

Bas ek tamanna ishq ishq

Heera na panna ishq ishq

Bas ek tamanna ishq ishq Ishq

Bas ek tamanna ishq ishq Bina

Bas ek tamanna ishq ishq Kya

Bas ek tamanna ishq ishq Jeena

Bas ek tamanna ishq ishq Yaara

Bas ek tamanna



Ishq hai kya ye kisko pata

Ye ishq hai kya sabko pata

Ye prem nagar anjaan dagar

Saajan ka ghar ka kisko khabar

Chhoti si umar ye lamba safar

Ye ishq hai kya ye kisko pata

Ye dard hai ya dardon ki dava

Ye koi sanam ya aap khuda

Ye koi sanam ya aap khuda

aap khuda



Ishq bina kya marna yaara

Ishq bina kya jeena

Tumne ishq ka naam suna hai

Humne ishq kiya hai

Phoolon ka gulshan ishq ishq

Kaaton ka daaman ishq ishq

Phoolon ka gulshan ishq ishq

Kaaton ka daaman ishq ishq

O....



Ishq bina kya marna yaaron

Ishq bina kya jeena

Ishq bina kya marna yaaron

Ishq bina kya jeena

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Gud se meetha ishq ishq

Imli se khatta ishq ishq

Ishq Ishq

Ishq Ishq

Ishq Ishq

O...